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  1. en.wikipedia.org › wiki › Lou_ReiznerLou Reizner - Wikipedia

    Lou Reizner (1934 – June 26, 1977) was an American record producer, A&R executive and head of Mercury Records' European operations. He produced Rod Stewart's first two solo albums, the orchestral version of The Who's rock opera Tommy, and Rick Wakeman's Journey to the Centre of the Earth.

  2. Lou Reizner. Tommy is a 1972 album by the London Symphony Orchestra and English Chamber Choir, conducted and directed by David Measham, performing arrangements by Wil Malone of The Who 's 1969 album Tommy with additional arrangements by James Sullivan.

  3. As an A&R executive, he signed Van Der Graaf Generator and arranged a US deal for David Bowie. Born August 11, 1933 in Chicago, Illinois. Died June 26, 1977 in London, England. Show more. Sites: Wikipedia , All Music. In Groups: Lou Reizner And His Guitaricians. Variations:

  4. Through producer Lou Reizner, Ryan began getting work as an arranger, and wrote the string arrangements on Caetano Veloso's third self-titled album called either his 1971 album or A Little More Blue. The Eyes of Blue's third and final album, Bluebell Wood , was released under the pseudonym Big Sleep, and the band broke up shortly ...

  5. Born in Chicago, Reizner started his career in the United States and by the mid-'60s was working for Mercury Records (where, as producer of Dick Campbell's debut album, he was responsible for recruiting most of Dylan's then-current sidemen to play on it).

  6. Lou Reizner produzierte das Lied, und er war auch die Stimme für den gesprochenen Text im Lied. 1971 wurde es (mit der B-Seite She Belongs to the Night ) als Single sowie auf dem gleichnamigen Album veröffentlicht. 1972 erschien es dann erneut, diesmal als B-Seite der Single Clear White Light .

  7. Refugees. The Least We Can Do Is Wave to Each Other ist das zweite Studioalbum der Progressive-Rock -Band Van der Graaf Generator das im Februar 1970 auf Charisma Records erschienen. Es war das erste Album der Gruppe, das in ihrer Heimat veröffentlicht wurde, und das einzige, das dort mit Platz 47 die Top 50 der britischen Albumcharts erreichte.