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  1. Suchergebnisse:
  1. By Dylan Thomas. Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light. Though wise men at their end know dark is right, Because their words had forked no lightning they. Do not go gentle into that good night. Good men, the last wave by, crying how bright.

  2. Do not go gentle into that good night - Discover the meaning of Dylan Thomas's famous villanelle about death, with an audio recording of the poet reading his classic poem. This poem was featured in the 2014 movie Interstellar.

  3. "Do not go gentle into that good night" is a poem in the form of a villanelle by Welsh poet Dylan Thomas (1914–1953), and is one of his best-known works. Though first published in the journal Botteghe Oscure in 1951, [2] the poem was written in 1947 while Thomas visited Florence with his family.

  4. Do not go gentle into that good night“ ist wahrscheinlich das berühmteste englische Beispiel einer Villanelle, die als Gedichtform im Frankreich des 16. Jahrhunderts entstand. In der modernen Lyrik stellt sie eine eher ungewöhnliche poetische Form dar, die jedoch immer noch ihre Wirkung entfalten kann, wenn sie kunstfertig ...

  5. Übersetzung. Geh nicht gelassen in die gute Nacht, Der alte Mensch sollte schäumen vor Wut, wenn der Tag naht; Wüten, wüten gegen das Sterben des Lichts. Zwar wissen Weise, wenn ihr Ende naht: Das Dunkel ist richtig, Weil ihre Worte keinen Blitz entzündet hatten, Gehn sie nicht gelassen in die gute Nacht.

  6. Analysis (ai): This poem is a powerful and moving plea to fight against the inevitability of death. It urges readers to embrace life with passion and vigor, even in the face of adversity. The poem is written in a free verse style and uses strong imagery and metaphors to convey its message.

  7. Do not go gentle into that good night’ is an example (and probably the most famous English example) of a villanelle, a form of poetry first conceived in seventeenth-century France. Today, it is an uncommon poetic form but still an effective one when used properly.