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  1. 4. Jan. 2016 · Neuigkeiten. Godzilla: Resurgence: Erste Bilder wurden geleaked. Von. BastiTheEnd. - 4. Januar 2016. 0. 12 Jahre nach Godzilla – Final Wars, gibt es einen neuen Film aus Japan. Shin Gojira (Godzilla: Resurgence) heißt er und wird die japanischen Kinos ab dem 29.

    • Overview
    • Plot
    • Staff
    • Japanese Cast
    • English Cast
    • Appearances
    • Production
    • Theatrical releases
    • Box office

    (シン・ゴジラ,   Shin Gojira?), also known as Godzilla Resurgence, is a 2016 Japanese tokusatsu kaiju film produced by Toho Company Ltd., and the thirty-first installment in the Godzilla series. It was released in Japanese theatres on July 29, 2016, and was also theatrically released in limited runs during late 2016 in 100 international territories, including North America, Central America, South America, and the Caribbean.

    was co-directed by Hideaki Anno and Shinji Higuchi, with a screenplay written by Anno. The film acts as a reboot to the series, and details Godzilla's origins, and his arrival in Japan for the first time, while also showcasing the human response to the disaster.

    The Japanese Coast Guard boards a small boat in Tokyo Bay. Its occupant, a scientist, has completely vanished, despite the boat's interiors being clean, and nearly untouched, with the scientist's slippers being the only visible remains. Suddenly, the boat rocks violently due to an exterior explosion. Meanwhile, a large amount of what appears to be blood crashes into an underwater tunnel, causing multiple car accidents.

    People evacuate while the Japanese government desperately tries to determine what caused the incident. At first, they insist that it's impossible for it to have been caused by a living thing, much to the chagrin of certain officials, but to their surprise, a news report shows footage of the appearance of an enormous serpentine tail splashing out of the ocean. The Prime Minister proceeds to make a press statement, announcing that it's scientifically improbable for the creature to make landfall, however, mid-speech, it does, much to his surprise.

    The fish-like creature that emerges from the bay resembles a hybrid between a moray eel and a frilled shark, but with spiky dorsal plates on its back and a pair of stubby, undeveloped forelimbs. Bleeding from its gills as it struggles to breathe on land, it thrashes about and drags itself down the streets of Kamata in Tokyo, pushing ships and cars in front of it out of the way, crushing everything in its path as well as climbing on buildings, causing them to collapse, and leaves an immense trail of destruction in its wake. Government meetings continue.

    Suddenly, the creature stops moving and collapses in the street. Then, it begins to grow, its rubbery yellow skin grotesquely rippling and hardening to a tougher, scaly burnt-orange shade. Its gills shrink and close up, the stumpy growths on its side emerge into a pair of small, clawed arms, and its hind limbs grow in size and strength, allowing it to stand upright. As it stumbles through Shinagawa in its new form, the Self-Defense Force arrives to attack it. However, the Prime Minister refuses to allow the attack to begin, as there are still people in the vicinity. The monster roars loudly at the attackers nearby and then proceeds back to the harbor as its dorsal spines begin to glow red, destroying a large building as it escapes, and disappears into the sea. Now the government must figure out what has happened, try to prevent it from happening again, and clean the mess up.

    Committees are formed. A group of marginal scientists gathers to try to research the monster with what limited knowledge they have. Talks begin with governments around the world, mostly with the U.S. government. Due to its large size and rapid mutations, they speculate it requires an enormous amount of energy, not only to move but to maintain its metabolism. They speculated its energy comes from nuclear fission, speculation confirmed by traces of radiation that match the creature's trail. Nuclear fission also produces an enormous amount of heat, which is cooled by the dorsal spines on its back. They speculated the creature had to retreat to the sea because its rapid mutation used too much energy and thus produced too much heat for its body to cool itself down, thus it retreated to the sea to lower its body temperature to prevent overheating. They also discover its genome has eight times as much DNA as humans, explaining its ability to self-mutate seemingly at will.

    Then, appearing south of Kamakura in Sagami Bay comes the monster who, based on the missing scientist Goro Maki's research, has been dubbed "Godzilla" by the American military. Having mutated further, the creature is now several times as large as its previous form, with a far bulkier body, a longer tail, and a dark, nearly black skin glowing red with energy in some parts of its body. It slowly enters Tokyo, wreaking havoc with every step, destroying the city with its movement alone. The government struggles to come up with answers and a means to counter the threat. The Self-Defense Force then returns. The Prime Minister reluctantly gives permission to hit Godzilla with everything they have, with which they do. Godzilla, however, maintains an undamaged state and destroys much of the nation's ground force in the process.

    Staff role on the left, staff member's name on the right.

    •Directed by Hideaki Anno, Shinji Higuchi

    •Written by Hideaki Anno

    •Produced by Minami Ichikawa, Taichi Ueda, Yoshihiro Sato, Masaya Shibusawa, Kazutoshi Wadakura

    •Music by Shiro Sagisu

    •Cinematography by Kosuke Yamada

    •Deputy Chief Cabinet Secretary (Rando Yaguchi,   矢口 蘭堂?, Yaguchi Randō): (Hiroki Hasegawa,   長谷川 博己?, Hasegawa Hiroki)

    •Special Adviser to the Prime Minister (Hideki Akasaka,   赤坂 秀樹?, Akasaka Hideki): (Yutaka Takenouchi,   竹野内 豊?, Takenouchi Yutaka)

    •(Kayoko Ann Patterson,   カヨコ・アン・パタースン?, Kayoko An Patāsun): (Satomi Ishihara,   石原 さとみ?, Ishihara Satomi)

    •Cabinet

    •Prime Minister (Seiji Okouchi,   大河内 清次?, Ōkouchi Seiji): (Ren Osugi,   大杉 漣?, Ōsugi Ren)

    •Chief Cabinet Secretary (Ryuta Azuma,   東 竜太?, Azuma Ryūta): (Akira Emoto,   柄本 明?, Emoto Akira)

    •Deputy Chief Secretary Rando Yaguchi: Todd Haberkorn

    •Kayoco Anne Patterson, special envoy for the President of the United States: Trina Nishimura

    •Hideki Akasaka, aide to the Japanese Prime Minister: J. Michael Tatum

    •Seiji Okouchi: Kent Williams

    •Yasuda: Ian Sinclair

    •Yusuke Shimura: Micah Solusod

    Monsters Weapons

    •Joint Direct Attack Munition •Massive Ordnance Penetrator •M270 Multiple Launch Rocket System

    Vehicles

    •AH-1 Cobra •AH-64 Apache •Northrop Grumman B-2 Spirit •Mitsubishi F-2 •Type 10 •Type 96 Multi-Purpose Missile System •Type 99 155mm Self-propelled Howitzer

    The film was revealed through Godzilla.jp. The movie was set to be in production from summer to autumn 2015. In addition, Toho inaugurated "Godzi-Con" to discuss and determine strategies for future Godzilla films, including this one. On March 31, 2015, it was officially confirmed that Hideaki Anno, known for his work on the popular anime Neon Genesis Evangelion, would be writing the screenplay for the film and serve as executive director, and that Shinji Higuchi, who provided the special effects for the Heisei Gamera trilogy, the upcoming Attack on Titan live-action films, and a scene in Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack, would be the film's director as well as the director of special effects.

    's footprint

    It was also said that the version of Godzilla in this film would exceed the size of Legendary's Godzilla, making it officially the largest Godzilla ever on film.

    On July 31, 2015, Bandai Creation confirmed that it would be producing and releasing figures for the film in the United States in 2016.

    Due to this version of Godzilla being even bigger than the previously largest Legendary version (as well as the translation of Shin Gojira as "True Godzilla"), a common misconception that arose was that Toho disliked the 2014 American film and was trying to "outdo" Legendary's version in a similar vein that Godzilla 2000 was made as a backlash to the much-disliked 1998 TriStar film. On the contrary, Toho actually praised and approved of the 2014 film, and in fact, produced Shin Godzilla to celebrate the new attention the American film brought to the franchise. In a complete inversion of the Legendary portrayal of the character, however, they depicted Godzilla as a horrifying force of chaos and death, as opposed to the noble and majestic semi-heroic treatment of Legendary toward the famous monster.

    In an interview with the Associated Press conducted on July 31, 2015, Shinji Higuchi revealed that Hideaki Anno had recently completed the film's script and that filming would begin in September. Higuchi stated that he was under strict orders not to reveal any specific details about the film, but he did state that Godzilla would be portrayed in the film using a combination of computer graphics and traditional tokusatsu techniques, a style that Higuchi called "hybrid," which he also utilized to portray the Titans in the recent live-action Attack on Titan film. Higuchi stressed that he wanted to create the most terrifying depiction of Godzilla possible with the resources available to modern Japanese cinema, to reflect the world's recent "loss of innocence" from modern real-life tragedies like the 9/11 terrorist attacks and the tsunami and nuclear disaster in northeastern Japan, which Higuchi called "the real monsters of the world."

    •Japan - July 29, 2016

    •Thailand - July 28, 2016

    •Taiwan - August 12, 2016

    •Philippines - August 31, 2016

    •Hong Kong - August 25, 2016

    •Macao - August 25, 2016

    The film was financially successful within Japan, having earned ¥625 million (US$6.1 million) on its opening weekend. It shoved Finding Dory and One Piece Film: Gold to second and third place, respectively, having been number one for that weekend. Compared to the 2014 film, it earned 23% more upon its release in Japan. It also tripled Godzilla: Final Wars' initial weekend's gross, that being US$12.3 million.

    For its second weekend, the film was projected to finish at US$40 million domestically, and it remained in its number one spot during this time. During its third weekend, the film dropped to second place, being topped by The Secret Life of Pets, and it went on to gain U$S33.5 million after 17 days.

    The film reached ¥5.3 billion (US$51.63 million) following a month after its initial release. This managed to top Hideaki Anno's previous film's (Evangelion: 3.0 You Can (Not) Redo) earnings, which was ¥5,267,373,350.

    For the movie's sixth weekend, it managed to claw its way back to the number two spot, having been topped by Your Name, however, it earned an additional US$3.2 million, raising Shin Godzilla's domestic gross to US$60 million from 4.1 million admissions.

    The movie ended up exiting the top ten in late September, and by then had managed to gross close to US$77 million dollars from 5.6 million admissions. With this, the film became the high grossing live-action Japanese film of 2016, as well as the second highest grossing film in Japan for the same year.

    garnered another US$1.9 million dollars during its 31 day, North American run. This popularity resulted in an extension for screenings.

  2. 10. Dez. 2015 · Vor 11 jahren kam der letzten Gojira FIlm aus Japan, Godzilla – Final Wars war der Film zum 50. Geburtstag der Riesenechse. Vergangenes Jahr zum 60. Geburtstag von Godzilla gab es einen neuen Film aus Hollywood, der bei den Fans mit gemischten Gefühlen ankam. Nächstes Jahr ,12 Jahre nach Godzilla – Final Wars, gibt es […]

  3. 20. Juli 2016 · Der erste Toho-Godzilla seit mehr als zehn Jahren kommt im Juli in die japanischen Kinos.

  4. 15. Apr. 2016 · Kurz nach dem ersten langen Trailers zu „Godzilla Resurgence“ gibt es nun eine freudige Mitteilung für Fans: Das kultige Original wird auch hierzulande wüten. Splendid Film hat sich die ...

  5. Shin Godzilla (シン・ゴジラ, Shin Gojira) [b] is a 2016 Japanese kaiju film directed by Hideaki Anno and Shinji Higuchi, with a screenplay by Anno and visual effects by Higuchi.

  6. 13. Apr. 2016 · Am 29. Juli 2016 ist es soweit, dann startet Godzilla: Resurgence in den japanischen Kinos. 12 Jahre nach dem letzten japanischen Godzilla Film. Heute wurde der erste Trailer zum Film veröffentlicht. Mit dem Laden des Videos akzeptieren Sie die Datenschutzerklärung von YouTube.Mehr erfahren Video laden YouTube immer entsperren