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The Lydian Chromatic Concept of Tonal Organization is a 1953 jazz music theory book written by George Russell. The book is the founding text of the Lydian Chromatic Concept (LCC), or Lydian Chromatic Theory (LCT). Russell's work postulates that all music is based on the tonal gravity of the Lydian mode .
The Lydian Chromatic Concept of Tonal Organization (LCCOTO) is a way of viewing music that continues to evolve from the first publication fifty years ago; we hope to assist and support that evolution.
george russell's lydian chromatic concept of tonal organization, first described in a self-published pamphlet in 1953, marks a radical expansion of the harmonic language for both composition and analysis and also marks an abandonment of the major-minor system which dominated Western music for over 350 years.
Reconceptualizing the Lydian Chromatic Concept: George Russell as Historical Theorist Michael McClimon Society for Music Theory . St. Louis, Missouri . October 31, 2015 Lydian — Lydian augmented 3rd mode of melodic minor, 7th mode of acoustic Lydian diminished 4rd mode of harmonic major Lydian flat seventh Acoustic, 4th mode of melodic minor
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The full Concept is too complex, convoluted and large to cover here in detail. But the Lydian Chromatic Concept is just a different way of allocating ‘correct’ scales to a particular chord. Essentially, George Russell came up with seven ‘Vertical Principle Scale‘ based on a ‘Lydian Chromatic Order of Tonal Gravity’: Lydian
Tutorial on the Lydian Chromatic Concept developed by George Russell, which was employed by Miles Davis on "Kind of Blue". Discover an alternative way of using scales in jazz improvisation.
Abstract: This paper explores the development of George Russell’s Lydian Chromatic Concept during the early years of jazz education, composition, and improvisation from 1960- 1972.
