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The Lydian Chromatic Concept of Tonal Organization is a 1953 jazz music theory book written by George Russell. The book is the founding text of the Lydian Chromatic Concept (LCC), or Lydian Chromatic Theory (LCT). Russell's work postulates that all music is based on the tonal gravity of the Lydian mode .
Reconceptualizing the Lydian Chromatic Concept: George Russell as Historical Theorist Michael McClimon Society for Music Theory . St. Louis, Missouri . October 31, 2015 Lydian — Lydian augmented 3rd mode of melodic minor, 7th mode of acoustic Lydian diminished 4rd mode of harmonic major Lydian flat seventh Acoustic, 4th mode of melodic minor
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George Russell's book, The Lydian Chromatic Concept of Tonal Organization, first published in 1953, was the first theoretical contribution to come from jazz, and was responsible for introducing modal improvisation which resulted in the seminal recording of Miles Davis' "Kind of Blue."
The scale that fits best fits over a CMaj7 is not C Major but C Lydian (AKA G Major). This theory was very influential. Bill Evans and Miles Davis were influenced by this theory when writing songs for the album Kind of Blue – arguable the most successful Jazz album of all time and one that epitomises Modal Jazz.
George Russell’s interpretation of jazz harmony known as the Lydian Chromatic Concept of Tonal Organization inspired the understanding and implication of chord-scale harmonic theory, which to this day is still predominantly used in the education of the jazz idiom.
The Lydian Chromatic Concept is an organization of tonal re- sources from which the jazz musician may draw to create his improvised lines. It is like an artist's palette: the paints and colors, in the form of scales and/or intervallic motives, are waiting to be blended by the improviser.
1. Juni 2014 · Abstract. This article aims to demonstrate the importance of the Lydian scale in Frank Zappa's modal diatonic music by introducing the concept of a “Lydian system,” loosely adapted from George Russell's seminal jazz theory known as the “Lydian chromatic concept.”
