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  1. Stanley Newcomb „Stan“ Kenton war ein US-amerikanischer Jazz-Pianist, -komponist, Orchesterleiter und Musikpädagoge. Mit seinen klanglichen Experimenten eines Progressive Jazz, die kontrovers beurteilt wurden, schrieb er in den Nachkriegsjahren Jazzgeschichte. Seine großformatigen Bands waren zudem eine wichtige ...

  2. en.wikipedia.org › wiki › Stan_KentonStan Kenton - Wikipedia

    Stanley Newcomb Kenton (December 15, 1911 – August 25, 1979) was an American popular music and jazz artist. As a pianist, composer, arranger and band leader, he led an innovative and influential jazz orchestra for almost four decades. Though Kenton had several pop hits from the early 1940s into the 1960s, his music was always forward-looking.

  3. Stan Kenton In ConcertRecorded In London 6 February 1972Complete Concert00:00 Minor Booze04:45 Chiapas11:57 Artistry In Percussion17:05 MacArthur Park23:11 M...

    • 52 Min.
    • 339,8K
    • Barry Morris
  4. More images. Real Name: Stanley Newcombe Kenton. Profile: American jazz bandleader and pianist. Born December 15, 1911 in Wichita, Kansas, USA. Died August 25, 1979 in Los Angeles, California, USA. Married to singer Ann Richards 1955-1961. He played in the dance bands of Vido Musso and Gus Arnheim.

  5. 9. Mai 2024 · Stan Kenton was an American jazz bandleader, pianist, and composer who commissioned and promoted the works of many modern composer-arrangers and thrust formal education and big-band jazz together into what became the stage (or concert) band movement of the 1960s and ’70s, involving thousands of.

    • The Editors of Encyclopaedia Britannica
  6. 15. März 2024 · Stan Kenton was a visionary and influential jazz bandleader who led a large and innovative orchestra from 1941 to 1979. Learn about his life, style, arrangements, soloists, and legacy in this comprehensive article.

  7. Kenton’s aim to make uncompromising contemporary music culminated in his performances of Bob Graettingers fiercely dissonant compositions such as “City of Glass” (1950–1). Thereafter, to retain audiences, he adopted a more varied repertoire but always with self-consciously modern voicings.