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  1. en.wikipedia.org › wiki › Jesse_ZubotJesse Zubot - Wikipedia

    mandolin. guitar. Member of. Zubot and Dawson, Great Uncles of the Revolution. Website. jessezubot .com. Jesse Zubot is a Canadian musician primarily known for his violin playing. [1] Zubot also works as a composer, producer and recording engineer. [2]

  2. www.jessezubot.com › indexJesse Zubot

    7. Feb. 2010 · JESSE ZUBOT is one of those unique musicians/producers whose praxis spans multiple genres and transcends contextualization into an idiom. Between moments of impassioned, visceral outburst and quite emotive sensitivies, Zubot exposes the full range of affects through a pristine sonic architecture. Zubot a 3-time

  3. www.coremusicagency.com › roster › composersJesse Zubot | Core Music Agency

    JESSE ZUBOT is a composer, musician, producer and virtuoso violinist whose praxis spans multiple genres and transcends contextualization. As a film composer he has won acclaim for his innovative scores on several award-winning films including MONKEY BEACH , which premiered at TIFF 2020 Industry Selects and was the opening gala film for VIFF ...

  4. en.wikipedia.org › wiki › Great_Uncles_of_the_RevolutionGreat Uncles of the Revolution - Wikipedia

    Great Uncles of the Revolution is a Canadian band that consists of Jesse Zubot, a violinist/mandolinist, and Steve Dawson, a guitarist/dobro player. Their musical style draws on contemporary bluegrass and jazz. History. In 2001 the band released an album, Great Uncles of the Revolution Stand Up!.

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  6. bonesofcrows.com › the_movie › aboutJESSE ZUBOT — Bones of Crows

    Jesse Zubot is a composer, musician, producer and virtuoso violinist whose praxis spans multiple genres and transcends contextualization. As a film composer he has won acclaim for his innovative scores on several award-winning films including Monkey Beach, which premiered at TIFF 2020 Industry Selects and was the opening gala film for VIFF 2020

  7. www.jessezubot.com › indexJesse Zubot

    But it isn't long before her skilful throat-singing and vocal experiments take over: guttural and feral, punctuated by rhythmic breathing, gasping, shrieking, growling and grunting, all given shape and momentum by producer Jesse Zubot's furtive strings, ominous horns and electronic soundscapes, Jean Martin's percussion and, on one song, Anna Pardo Canedo's operatic singing."