2017
Suchergebnisse
Suchergebnisse:
Bill Viola creates an artwork with an evident narrative structure, based on space, time (or times), action, plot. The five video installations (which act like separate narrations) constitute and articulate the final “narration”. Therefore, as Viola’s installations produce forms of representation of the world
Biennale von Venedig zu konzipieren. „Buried Secrets“ wurde anschließend in der Kestnergesellschaft, Hannover gezeigt. Im Jahr 1997 begann die Retrospektive Bill Viola: A 25-Year Survey Exhibition, organisiert vom Whitney Museum of American Art, mit Ausstellungen im Los Angeles County Museum of Art (1997), Whitney Museum of American Art ...
Zeitlin, Marilyn A., ed. Bill Viola: Buried Secrets/Segreti sepolti (exh. cat.). Texts by Bill Viola and Marilyn A. Zeitlin. Tempe, Arizona: Arizona State University Art Museum. In English and Italian. Reprinted and expanded as Bill Viola: Buried Secrets/Vergrabene Geheimnisse. Texts by Carl Haenlein, Susie Kalil, Bill Viola and Marilyn A ...
The Bohen Foundation provided lead funding for Bill Viola: Buried Secrets, the exhibition organized by curator Marilyn Zeitlin for the U.S. Pavilion at the 46th Venice Biennale in 1995. Bill Viola created five new video installations for the exhibition, which traveled to the Kestner-Gesellschaft in Hannover, Germany, after Venice, and then to ...
Viola represented the U.S. at the 46th Venice Biennale in 1995 with Buried Secrets, a series of five new installation works. In 1997 the Whitney Museum of American Art organized Bill Viola: A 25-Year Survey that included over 35 installations and videotapes and traveled for two years to six museums in the United States and Europe. In 2002 Viola ...
He represented the United States at the 46th Venice Biennale in 1995 for which he produced a series of works called Buried Secrets, including one of his best known works The Greeting, a contemporary interpretation of Pontormo's The Visitation.
15. Okt. 1995 · Bill Viola. Buried Secrets. Organized by: The Arizona State University Art Museum, Tempe, Arizona. Commissioner: Marilyn Zeitlin. This exhibition presented five video and sound installations, created by Bill Viola specifically for the US Pavilion, but designed to function both independently and as a unified sequence.
