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  1. Geboren: 30. November 1946; Belgrad / Singidunum / Belgrade / Beograd, Serbia. Nationalität: Serbian. Kunstrichtungen: Konzeptuelle Kunst, Performancekunst, Feministische Kunst. Genre: Performance. Bereich: Performance. Wikipedia: de.wikipedia.org/wiki/Marina_Abramović. Bestellung. Reproduktion. Wikipedia-Artikel Verweise.

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      View all 17 artworks. Marina Abramović was born in 1946, a...

    • Portuguese

      Marina Abramović (em russo, com alfabeto cirílico: Марина...

    • Rhythm 0, 1974
    • Rhythm 5, 1974
    • Rest Energy, 1980
    • The Lovers, 1988
    • The House with The Ocean View, 2002
    • The Artist Is Present, 2010

    Arguably the most important performance of her career, Rhythm 0gave Abramović celebrity status in the art world. The performance took place in Naples in 1994. Abramović stood in a room with 72 objects on a table and a description reading, “I am the object,” and, “During this period I take full responsibility.” She invited spectators to use any of t...

    One of the first profound performances of Abramović’s career, Rhythm 5 explores the physical and mental limits of the human body. The artist risked her own life for her art in an extreme performance where she almost suffocated. For Rhythm 5, Abramović used a large petroleum-drenched star, which the artist lit on fire. After cutting her own nails an...

    Abramović met Ulay (Frank Uwe Laysiepen) in Amsterdam in 1975, and the legendary couple lived together for 12 years. They made pioneering work as a duo, where they explored their love for one another and the division between mind and body. For Rest Energy in 1980, Abramović and Ulay stood in a gallery, facing each other while using a bow and arrow ...

    Abramović and Ulay’s relationship deteriorated, and in 1988—after several years of conflict—they marked the end of their relationship with a spiritual journey by walking across the Great Wall of China. Their original plan was to meet in the middle and get married there, but it didn’t turn out that way. During the eight years of planning the perform...

    Challenging, endurance works have long been a significant aspect of Abramović's career, and The House with the Ocean View is no exception. For this piece, the artist spent 12 days in the Sean Kelly Galleryin New York, contained within three “rooms” built six feet off the ground. She didn’t eat, write, or speak during the entire time. Instead, she o...

    The highlight of the piece was when Ulay arrived unexpectedly to take part in the performance. He sat opposite Abramović and waited for her to open her eyes. When they looked at each other, Abramović appeared shocked at first and then smiled. Her eyes filled with tears as he shook his head, clearly both communicating intense emotion without a singl...

  2. November 1946 in Belgrad) ist eine serbische Performance - und Konzeptkünstlerin. Sie gilt als eine der wichtigsten Vertreterinnen der Performancekunst und Body-Art . Inhaltsverzeichnis. 1 Leben. 1.1 Herkunft und Kindheit. 1.2 Beruflicher Werdegang. 1.3 Partnerschaften – künstlerisch und privat.

  3. View all 17 artworks. Marina Abramović was born in 1946, a remarkable figure of Serbian Conceptual Art and Performance Art. Find more works of this artist at Wikiart.org – best visual art database.

    • November 30, 1946
  4. 24. Nov. 2021 · Tagelang stillsitzen, sich bewerfen und verletzen lassen: Mit ihren Performances sprengt Marina Abramović Grenzen der Kunst und geht über eigene.

  5. Marina Abramović (Serbian Cyrillic: Марина Абрамовић, pronounced [marǐːna abrǎːmoʋitɕ]; born November 30, 1946) is a Serbian conceptual and performance artist. Her work explores body art , endurance art , the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. [1]

  6. en.wikipedia.org › wiki › Rhythm_0Rhythm 0 - Wikipedia

    Rhythm 0 was a six-hour long endurance art performed by the Serbian performance artist Marina Abramović in Naples in 1974. The work involved Abramović standing still while the audience was invited to do to her whatever they wished, using one of 72 objects she had placed on a table.

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