1971
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Philippe Garrel (French:; born 6 April 1948) is a French director, cinematographer, screenwriter, film editor, and producer, associated with the French New Wave movement. His films have won him awards at Cannes Film Festival, Venice Film Festival, and Berlin Film Festival.
6. Apr. 2017 · Jean-Luc Godard once described Garrel as being “as close as teeth are to lips to the idea of natural beauty,” in reference to his emergence as a wunderkind of the French New Wave with 1964’s Les enfants desaccordés, a formally playful short about a pair of young runaways on the lam that shared a kinship with his more ...
Philippe Garrel (b. April 6, 1948) began his film career early, directing and writing his first films while still a teenager. Since then he has built a reputation as a maverick auteur whose, often autobiographical, stories are made up of moments of day to day intimacy or alienation, in which characters reflect on their lives and experiences ...
13. Jan. 2016 · Garrel: Like the New Wave, what I liked best when I went to the Cinematheque was the silent films. For instance, I think that Sunrise by Murnau is one of the greatest films ever made. My three top films are Godard’s My Life to Live , Bergman’s Monika , Munrau’s Sunrise .
17. Dez. 2018 · This is the filmmaker who shot his first film at 16, recorded the aftermath of the failed May '68 revolution, made portraits of friends and lovers like Nico and Jean Seberg. We present the l...
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1. Okt. 2018 · Philippe Garrel revives a more traditional utilitarian editing, alternating between short and long takes, proving, if it was necessary, that he is a very classical filmmaker (like Mizoguchi or Griffith, to simplify things). But how many more years of critical blindness must he endure before this idea is accepted? Moreover, the easy ...
1. Okt. 2018 · Garrel’s silent cinema is that of the colloid, as is observable in the ephemeral quality that his captured images possess. The lack of causalities from scene to scene aid in this sensation, and yet these works are tonally consistent in Garrel’s presentation of life and internal conflict.
