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  1. Robert Desnos ( French: [ʁɔbɛʁ dɛsnos]; 4 July 1900 – 8 June 1945) was a French poet who played a key role in the Surrealist movement. Biography. Robert Desnos was born in Paris on 4 July 1900, the son of a licensed dealer in game and poultry at the Halles market. Desnos attended commercial college, and started work as a clerk.

  2. Robert Desnos [ ʁɔˈbɛːʁ dɛsˈnoːs] [1] (* 4. Juli 1900 in Paris; † 8. Juni 1945 in Theresienstadt) war ein französischer Schriftsteller und Journalist. Beeinflusst insbesondere von Nerval und Baudelaire [2], verfasste er vorwiegend Lyrik – selbst noch im KZ. Zu seinen Hauptthemen zählte die Liebe.

  3. Poet and journalist Robert Desnos was born in Paris, France. The son of a successful café owner, Desnos rebelled against his father’s plans for a bourgeois education and pursued literature, idolizing authors such as Gerard de Nerval, Arthur Rimbaud, and Victor Hugo. His first poems were published…

  4. Famous poet / 1900-1945. Robert Desnos was a French poet whose work remains relevant today for its playful exploration of dreamlike imagery and subconscious thought. He is primarily associated with the Surrealist movement, flourishing in the 1920s and 1930s.

  5. Read poems by this poet. Robert Desnos was born on July 4, 1900, in Paris. Desnos was the son of a café owner. He attended commercial college, then worked as a clerk before becoming a literary columnist for the newspaper Paris-Soir. He first published poems in the Dadaist magazine Littérature in 1919.

  6. Robert Desnos was a French poet who joined André Breton in the early Surrealist movement, soon becoming one of its most valuable members because of his ability to fall into a hypnotic trance, under which he could recite his dreams, write, and draw. Texts from this period appeared in the Surrealist.

  7. Poet, radio celebrity, and journalist Robert Desnos was a founding member of the Paris Surrealists and pioneer in the technique of automatism. After breaking from André Breton in 1929, Desnos practiced his own version of Surrealism throughout the 1930s, proclaiming that “surrealism has fallen into the public domain.”.