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  1. Vor 5 Tagen · Neither Strachey nor Carrington fashioned themselves as particularly conventional people, and they worked laboriously to separate themselves from the Victorian era, remnants of which still lingered heavily amongst English society, particularly in their literary circles. These were artists who had anecdotes about personal encounters with the likes of Virginia Woolf and E. M. Forster, as well as ...

  2. Vor einem Tag · At Cambridge, Keynes was a member of the Bloomsbury Group which included such literary and artistic names as Lytton Strachey, Clive Bell, Virginia Woolf, E. M. Forster, Duncan Grant, and Roger Fry among others. Keynes was a member of Apostles Footnote 1 who formed the nucleus of the Cambridge Bloomsbury Group.

  3. Vor 4 Tagen · June 2, 2024May 30, 2024 ~ JezzieG. Rouen Ware by Dora Carrington. Rouen Ware 1923 Still Life Oil, Ink, and Silver Foil on Glass. ‘Rouen Ware’ is a colourful depiction of flowers, fruit, and a plumed bird on a brass urn. Essentially a collage on glass Carrington created by outlining the design on the back of the pane and then filling the ...

  4. Vor einem Tag · A portrait of Woolf by Roger Fry c. 1917 Lytton Strachey and Woolf at Garsington, 1923 Virginia Woolf 1927 Woolf is considered to be one of the most important 20th-century novelists. [205] A modernist , she was one of the pioneers of using stream of consciousness as a narrative device , alongside contemporaries such as Marcel Proust , [206] [207] Dorothy Richardson and James Joyce .

  5. Vor 4 Tagen · original music video: https://youtu.be/3lUS-TV1ECI

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  6. Vor 2 Tagen · Qualities never before associated with the pianist were suddenly brought to light with this style, and in expressing them, the very man who previously had functioned with the rational mental caution of a Lytton Strachey commenced to roar with the authoritative gusto of a Wyndham Lewis. To be continued in Part 2 - The Quartet

  7. Vor 3 Tagen · As a cousin of Lytton Strachey, Grant was introduced to the Bloomsbury group, the members of which became his lifelong friends. He joined the Camden Town Group in 1911, contributed to the Post-Impressionist exhibition of 1912 that was organized by the influential art critic Roger Fry, and participated in Fry’s Omega Workshops (1913–19).