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13. Mai 2011 · A Red Hot Jazz song recorded June 12, 1927. Pianist and bandleader, Bennie Moten helped to establish what is called the Kansas City Jazz style. In 1922 he fo...
- 3 Min.
- 7,9K
- althazarr's good time oldies
Die Tänzer mochten den Stil, da er sich von Fletcher Hendersons und Duke Ellingtons in seiner langsam stampfenden Art unterschied ( Stomp ). [3] Moten hatte sich von Anfang an eine Chance gegen Chick Webb, Henderson und die großen Bands ausgerechnet und verfolgte das Ziel, sein Orchester ebenso erfolgreich zu machen.
4. Okt. 2022 · "Moten stomp". (Moten-Hayes). Benny Moten's Kansas City Orchestra.Victor 20955-A. Recorded on 12th June 1927.EMG Xb Oversize gramophone. EMG two-spring sound...
- 3 Min.
- 69
- Graham Rankin
Recorded in Chicago on June 12th 1927 featuring Ed Lewis and Paul Webster trumpets, Thamon Hayes trombone, Harlan Leonard clarinet & alto sax, Woody Walder c...
- 3 Min.
- 17
- Nipper's Lounge
Benjamin Moten (November 13, 1893 – April 2, 1935) was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States. [3] He led his Kansas City Orchestra, the most important of the regional, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the riffing style that ...
" Moten Swing " (originally " Moten's Swing ") is a 1932 jazz standard by Bennie Moten and his Kansas City Orchestra. It was an important jazz standard in the move towards a freer form of orchestral jazz and the development of Swing music.
31. März 2022 · He enjoys co-composer credit with Moten on “Rumba Negro (Spanish Stomp)” and “The Jones Law Blues,” the latter featuring a remarkable piano solo in which Basie breaks from Moten’s ragtime-based pianistics with suspensions of the stride left hand to include some advanced held-chords and some Hines-influenced licks, as well ...