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  1. Frank Borzage (* 23. April 1893 in Salt Lake City, Utah; † 19. Juni 1962 in Hollywood, Kalifornien) war ein US-amerikanischer Filmregisseur. Für Das Glück in der Mansarde und Bad Girl wurde er jeweils mit dem Oscar für die beste Regie ausgezeichnet.

  2. Frank Borzage (/ b ɔːr ˈ z eɪ ɡ i / né Borzaga; April 23, 1894 – June 19, 1962) was an American film director and actor. He was the first person to win the Academy Award for Best Director for his film 7th Heaven (1927) at the 1st Academy Awards.

  3. www.imdb.com › name › nm0097648Frank Borzage - IMDb

    Frank Borzage was a director, actor and producer who won two Oscars for his work in silent and sound films. He is best known for 7th Heaven, Bad Girl and No Greater Glory.

    • January 1, 1
    • Salt Lake City, Utah, USA
    • January 1, 1
    • Hollywood, Los Angeles, California, USA
  4. 19. Apr. 2024 · Frank Borzage (born April 23, 1893, Salt Lake City, Utah, U.S.—died June 19, 1962, Los Angeles, California) was an American motion-picture director and producer noted for his romantic transcendentalism and technically impeccable filmmaking.

    • Michael Barson
  5. 17. Apr. 2024 · The Front Row. The Rediscovery of a Depression-Era Masterpiece. A new restoration of Frank Borzages “Man’s Castle,” starring Loretta Young and Spencer Tracy, showcases the visionary...

  6. www.filmcomment.com › article › the-sanctum-santorum-of-loveFrank Borzage - Film Comment

    He never treats sexuality in the “frank” sense of, say, Delmer Daves, a zealous missionary on behalf of the honest proclamation of sexual appetite: in Borzage, since the union is already sanctified (keenly obvious to any witness who encounters the lovers, like Jack LaRue’s priest in A Farewell to Arms who suddenly marries Cooper and Hayes in the hospital), the question of appetite and ...

  7. 21. März 2003 · An article that explores the life and work of Frank Borzage, a neglected Hollywood director who won two Oscars for Best Director. It examines his religious and philosophical influences, his romantic transcendentalism, and his Masonic elements in his films.