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Vor 3 Tagen · In 2005, American artist Kara Walker photographically enlarged 15 plates from an 1868 two-volume commemorative compilation of Civil War illustrations, originally published in Harper’s Magazine, and overlaid the wood engravings with silhouettes in her signature style — a work she calls Harper’s Pictorial History of the Civil War (Annotated). The entire series was recently on view in an ...
Vor 3 Tagen · The song was first recorded by Jerry Jeff Walker in 1972 for his self-titled album. Where Walker makes the song’s famous chorus (“If I can just get off of this L.A. freeway/Without gettin’ killed or caught”) sound like a toss-up, Clark’s much more melancholic take on his landmark 1975 debut, Old No. 1, suggests that the end is extremely nigh. —J. Gross
Vor 3 Tagen · The song was first recorded by Jerry Jeff Walker in 1972 for his self-titled album. Where Walker makes the song’s famous chorus (“If I can just get off of this L.A. freeway/Without gettin’ killed or caught”) sound like a toss-up, Clark’s much more melancholic take on his landmark 1975 debut, Old No. 1, suggests that the end is extremely nigh. —J. Gross
Vor 3 Tagen · The song was first recorded by Jerry Jeff Walker in 1972 for his self-titled album. Where Walker makes the song’s famous chorus (“If I can just get off of this L.A. freeway/Without gettin’ killed or caught”) sound like a toss-up, Clark’s much more melancholic take on his landmark 1975 debut, Old No. 1, suggests that the end is extremely nigh. —J. Gross
Vor 3 Tagen · The song was first recorded by Jerry Jeff Walker in 1972 for his self-titled album. Where Walker makes the song’s famous chorus (“If I can just get off of this L.A. freeway/Without gettin’ killed or caught”) sound like a toss-up, Clark’s much more melancholic take on his landmark 1975 debut, Old No. 1, suggests that the end is extremely nigh. —J. Gross
Vor 3 Tagen · The song was first recorded by Jerry Jeff Walker in 1972 for his self-titled album. Where Walker makes the song’s famous chorus (“If I can just get off of this L.A. freeway/Without gettin’ killed or caught”) sound like a toss-up, Clark’s much more melancholic take on his landmark 1975 debut, Old No. 1, suggests that the end is extremely nigh. —J. Gross
