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  1. www.tate.org.uk › artist-biography › mario-schifanoMario Schifano | Tate

    Mario Schifano. Born 1934 in Homs, Libya. Died 1998 in Rome, Italy. Following the end of the Second World War, Mario Schifano moved with his family from his native Libya to Rome. Showing little interest in school, he soon began restoring ceramics, a trade learned from his archaeologist and restorer father. An autodidact, Schifano soon took up ...

  2. www.magazzino.art › visit › exhibitionsMario Schifano: Germinal

    Germinal continues with works made from 1965 through 1970, the period when Schifano attained the status of a pop superstar in Italy. Prominent among these works are paintings from the series Futurismo rivisitato ( Futurism Revisited ), in which Schifano looked toward the early 20th-century Italian avant-garde movement for inspiration, claiming ...

  3. Mario Schifano | "Ohne Titel" Zuschlag: € 6.500,-Mario Schifano (Homs 1934 - 1998 Rom), Maler, Musiker und Filmproduzent, Vertreter der italienischen Postmoderne, während einer USA-Reise lernte er Andy Warhol und Mark Rothko kennen, Biennale-Teilnehmer in Venedig.

  4. Mario Schifano Biography. Considered one of the most significant artists of Italian postmodernism, Mario Schifano worked in numerous media throughout his career, but is perhaps bestl known for his collages consisting of advertising, scrap paper and painted components. During the latter half of his career, Schifano’s work became increasingly ...

  5. 26. Jan. 1998 · Mario Schifano Kunstwerke. Grande Angolo Mario Schifano 1963. Il Sogno Dada di Arturo Schwarz Mario Schifano ...

  6. Mario Schifano (Homs, 1934 - Rom, 1998) war einer der wichtigsten italienischen Künstler der nationalen und internationalen Szene der 1960er Jahre. Mario Schifano ist ein Künstler mit einer rebellischen und bissigen Seele und gilt heute als einer der produktivsten Maler der Nachkriegszeit. Goffredo Parise beschrieb ihn als “Puma-Maler ...

  7. 2. Juni 2023 · Mario Schifano began his career between the late 1950s and early 1960s. His research was initially characterised by a dense, monochrome painting, with clear references to his work as a restorer of ancient works in the museum of Etruscan art and archaeology of Villa Giulia in Rome, where his father had steered him.