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Changes vary, not always the same. Sometimes the rhythm section will play A7 (Concert G7) instead of Am7b5, but you get the point. Some mistakes may be in th...
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ブルーノートrvgコレクション第1弾 「モーニン」、「ブルース･マーチ」で一世を風靡したファンキー･ジャズのバイブル。
11. Sept. 2016 · Saxophonist-composer Benny Golson exemplifies the jazz life well-lived. He developed a distinctive sound on the tenor saxophone, one that has become more smoke-infused and slightly burry with age. He has written a compact but potent body of jazz standards (think “Whisper Not,” “Stablemates,” “Along Came Betty,” etc.). He successfully crossed over to television and film scoring. He ...
26. März 2023 · As the driving rhythms and punchy horns filled my ears, I couldn’t help but feel transported to a different era of jazz, a time when artists like Art Blakey and the Jazz Messengers were changing the game with their innovative sound. This feeling was brought on by none other than their 1960 album “The Big Beat,” a standout in Blue Note’s Jazz Messenger series.
9. Apr. 2024 · Benny Golson didn’t write “Moanin'," the essential opener to Art Blakey and the Jazz Messengers' 1958 album. However, if it hadn’t been for saxophonist Golson, the history of his Philadelphia roots could have taken a different course. Golson only played in the Jazz Messengers around for about a year in 1958.
11. Okt. 2023 · October 11, 2023. By. Charles Waring. Photo: PoPsie Randolph/Michael Ochs Archives/Getty Images. As any well-read jazz fan will know, Art Blakey was so much more than a powerhouse drummer armed ...
18. Apr. 2024 · All Blakey’s percussive effects are on impressive display here, especially that powerful, trademark press-roll which would surely have overwhelmed soloists less secure than Benny Golson and Lee Morgan. (1) Lee Morgan (t); Benny Golson (ts); Bobby Timmons (p); Jymie Merritt (b); Blakey (d). Zurich, 4 December 1958. (2) as (1) omit Morgan, Golson.
