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  1. 31. Juli 2004 · Sartre's (1940 Sartre's ( /2004) phenomenological account of the imagination helps us in this task by detailing daydreaming's ontology and its potential effects. This foundational work by a major ...

  2. 17. Jan. 2023 · Jean Paul Sartre. Publication date 1948 Collection internetarchivebooks; printdisabled Contributor Internet Archive Language English. Access-restricted-item true Addeddate 2023-01-17 14:16:31 Autocrop_version 0.0.14_books-20220331-0.2 Bo ...

  3. Książka The Imaginary autorstwa Sartre Jean-Paul, dostępna w Sklepie EMPIK.COM w cenie 102,99 zł. Przeczytaj recenzję The Imaginary. Zamów dostawę do dowolnego salonu i zapłać przy odbiorze!

  4. Troubled Sleep ( French: La mort dans l'âme, published in the United Kingdom as Iron in the Soul is a 1949 novel by Jean-Paul Sartre. It is the third part in the trilogy Les chemins de la liberté ( The Roads to Freedom ). "The third novel in Sartre's monumental Roads to Freedom series, Troubled Sleep powerfully depicts the fall of France in ...

  5. The Imagination is essential reading for anyone interested in the philosophy of Jean-Paul Sartre, phenomenology, and the history of twentieth-century philosophy. This new translation includes a helpful historical and philosophical introduction by Kenneth Williford and David Rudrauf. Also included is Maurice Merleau-Ponty’s important review of ...

  6. 17. Juni 2019 · In The Imaginary, Sartre focuses on the imaginary consciousness of the spectator. With the exception of the few remarks on the possessed consciousness of the artist, he does not treat the activity of imitation itself, neither from a phenomenological nor from a metaphysical perspective. In other words, he does not examine the question of why and ...

  7. 1. Juni 2017 · In this article, I explore just one strand of that indebtedness by comparing the performative account of gender identity, which she offers in Gender Trouble, with the imaginary personages which form the basis of Sartre’s account of individual and social identities. I suggest that some of the problems encountered by performative accounts are a consequence of this inheritance.