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Buffy Sainte-Marie - chitarra, voce; Buffy Sainte-Marie - voce alterata da sintetizzatore Buchla (brano: Better to Find Out for Yourself) Peter Schickele - arrangiamenti (brani: Mary, Adam e The Angel) Bob Bozina - chitarra solista (brani: The Dream Tree, With You, Honey, Guess Who I Saw in Paris e He's a Keeper of the Fire)
God was at their side. Nor the dreamer in his cell. nor the captain on the hill. Magic is alive. Though his death was pardoned. round and round the world. the heart did not believe. Though laws were carved in marble. they could not shelter men.
8. Okt. 2019 · Buffy Sainte-Marie’s 1969 masterpiece Illuminations turns 50 this year, and to celebrate, the album will be treated to a limited edition vinyl re-issue for Record Store Day ‘s Black Friday event on November 29, 2019. Illuminations is the pioneering sixth studio album from Buffy Sainte-Marie, and broke ground as one of the very first ...
Buffy Sainte-Marie’s “Illuminations” was released at the end of 1969, presumedly to catch some holiday sales for Vanguard, though it’s also an album particularly suited to the winter season. For the artist, it was a remarkable departure from everything she had done before. Her early albums were simple, acoustic and, when she used the mouth bow, could sound like something a folk ...
Buffy Saint-Marie - Better to Find Out for Yourself \ Illuminations (1969) 2:13. He's A Keeper Of The Fire. 3:22. Buffy Sainte-Marie - Adam. 5:07. The Vampire. 2:09. View credits, reviews, tracks and shop for the CD release of "Illuminations" on Discogs.
16. Mai 2000 · Electronics [Electronic Score By] – Michael Czajkowski. Engineer – Bob Lurie, Ed Friedner. Guitar, Vocals – Buffy Sainte-Marie. Mixed By – Jack Lothrop. Photography By [Cover Photo] – Denes. Producer – Mark Roth ( tracks: 7, 9 to 11), Maynard Solomon ( tracks: 1 to 6, 8, 12)
Buffy Sainte-Marie’s “Illuminations” was released at the end of 1969, presumedly to catch some holiday sales for Vanguard, though it’s also an album particularly suited to the winter season. For the artist, it was a remarkable departure from everything she had done before. Her early albums were simple, acoustic and, when she used the mouth bow, could sound like something a folk ...
