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  1. 19. Okt. 2011 · © 2011 WMGPart Lies, Part Heart, Part Truth, Part Garbage: 1982- 2011, the definitive R.E.M. greatest hits collection! Get it: Amazon: http://amzn.to/vBDlg5 ...

    • 5 Min.
    • 108,8M
    • remhq
  2. Dan Graham’s video Rock My Religion advances a provocative thesis that intertwines the histories of American rock music and religion. Using montage and text, Graham compares the emergence of the rebellious teenager in suburban postwar America to the utopian vision of the Shakers, a religious sect that originated in Manchester, England, in the eighteenth century whose leaders and adherents ...

  3. Rock my Religion. While we might expect a degree of Minimalism and the analysis of perceptive phenomena linked to the viewer’s reception of the work, Rock my Religion (1982–84) distances itself from this way of working that was typical of Dan Graham in the seventies. By the end of that decade, and at the beginning of the eighties, the ...

  4. Rock My Religion is somewhat removed from the prevalent moods of Dan Graham’s film and video output of the 1960s, which are characterised by an examination of the viewer’s vision and perception in relation to the work and the exhibition space. In this work, Graham moved away from the phenomenological themes explored in Postminimalism to explore a new facet as an essayist, which he ...

  5. Rock My Religion, Dir. Dan Graham, USA, 1984, 55 mins, English. This screening is followed by a conversation with director, artist and curator Dan Graham hosted by writer and critic John Slyce. Rock My Religion is an assemblage of stories, music, text, and film that examines and reconstructs the relationship between alternative religions and ...

  6. Mit tiefer Trauer haben wir die Nachricht vom Tod Dan Grahams am 19. Februar 2022 vernommen. In seinem Gedenken veröffentlichen wir hier einen Text, den Tom Holert 1993 anlässlich der Publikation von Grahams 328-seitigem Künstlerbuch Rock My Religion geschrieben hat.

  7. Dan Graham’s Rock My Religion (1982–84) is a video essay populated by punk and rock performers (Patti Smith, Jim Morrison, Black Flag and Glenn Branca) and historical figures (including Ann Lee, founder of the Shakers). This coming together of several narrative voice-overs, of singing and shouting voices, of jarring sounds and text overlaid onto shaky, gritty images, proposes a historical ...