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Cry Danger ist ein Film von Robert Parrish mit Dick Powell, Rhonda Fleming. Synopsis: Rocky Mulloy ist gerade erst nach fünf Jahren aus dem Knast entlassen worden, wo er wegen eines bewaffneten ...
One of film history’s greatest (yet most painfully underrated) Philip Marlowes given his stellar turn in Edward Dmytryk’s gritty adaptation of Raymond Chandler’s Farewell, My Lovely in Murder, My Sweet, Powell commands every scene he’s in in Danger. An ingenious after-the-fact heist picture, Cry Danger finds Powell released from prison ...
8. Nov. 2012 · Film Noir Classics: CRY DANGER. by Peter |Published November 8, 2012. The lightning speed of a commuter train racing along behind the bold opening credits of Cry Danger (1951) lets us know right away we’re in store for one helluva ride. When the train comes to a stop in Los Angeles a man gets off, he is Rocky Malloy ( Dick Powell) an infamous ...
10. Sept. 2012 · Shot in 22 days (Parrish rewrote the script with William Bowers ), it's the kind of movie in which, told to expect someone extra for dinner, delicious Fleming smiles 'OK, I'll put more water in ...
One of my long-time favourites of film noir, Cry Danger (1951), starring Dick Powell, Rhonda Fleming and William Conrad, is offered in a restored print by Olive Films. Although special features such as commentary, interviews or making-of documentary would have been welcome, the DVD copy is otherwise excellent and good value for money, and I enjoyed seeing the film again after many years.
The stand out performance here belongs to his cohort Erdman. The New York Times noted that the film had “sardonic lines that are tossed off most effectively by a young actor named Richard Erdman, who has been around Hollywood since 1943—just waiting for the right chance, no doubt. Cry Danger gives it to Mr. Erdman and he makes the most of ...
Cry Danger is directed by Robert Parish and written by William Bowers from a story by Jerome Cady. It stars Dick Powell, Rhonda Fleming, Richard Erdman, Regis Toomey and William Conrad. Music is by Paul Dunlap and Emil Newman and cinematography by Joseph F. Biroc.
