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  1. Driven by mind-bending twists, improbable coincidences, and Hitchcockian suspense, The Universal Theory is a captivating nesting doll of a film that nods to the German masters of old Hollywood and considers the metaverse theory from a refreshingly intelligent point of view. Kröger — himself also a cinematographer — films his tale with an eye for the majestic natural beauty that surrounds ...

  2. 4. Sept. 2023 · Universal Theory [+ lire aussi : bande-annonce interview : Timm Kröger fiche film] de Timm Kröger a été présenté en compétition à la Mostra de Venise.Le film commence avec l’enregistrement d’une émission télévisée des années 1970 dans laquelle le personnage principal, l’écrivain et ancien scientifique Johannes Leinert (Jan Bülow), tente de convaincre les invités et le ...

  3. 3. Sept. 2023 · Interview: Timm Kröger • Director of The Universal Theory “I dream in the way classic cinema has taught us to” VENICE 2023: Instead of actually delivering the titular theory of everything, the German director opts for mystery . 03/09/2023

  4. 1962. Johannes Leinert (Jan Bülow) reist mit seinem Doktorvater (Hanns Zischler) zu einem physikalischen Kongress ins Hotel Esplanade in den Schweizer Alpen. Ein iranischer Wissenschaftler soll hier einen bahnbrechenden Vortrag zur Quantenmechanik halten. Doch der Redner, von dem nichts weniger als eine Theorie von Allem erwartet wird ...

  5. In the absence of a new theory to be discussed, Johannes remains at the hotel to work on his doctor‘s thesis, but finds himself distracted, developing a special fascination with Karin, a young jazz pianist. Something about her seems strange, elusive. She seems to know things about him – things that he thought only he knew about. When one of the German physicists is found dead one morning ...

  6. SWISS FILMS Neugasse 6 CH–8005 Zürich. SWISS FILMS Genève Maison des Arts du Grütli 16, rue Général-Dufour CH–1204 Geneva +41 43 211 40 50 info@swissfilms.ch

  7. 29. Okt. 2023 · The Universal Theory tackles heavy subjects like obsession, alienation, post-war paranoia, seeking a compatible partner, existential angst, and pseudo-science. The stylistic elements, however, don’t quite gel. Diego Ramos Rodriguez and David Schweighart’s insistent Bernard Herrmann-esque score quickly starts to grate, especially when contrasted with the effectively quiet silence of the ...