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  1. Entr’acte. Directed by René Clair • 1924 • France. One of the seminal films of the surrealist art movement, ENTR’ACTE (1924) brought together three of the great French artists of its time: Francis Picabia, Erik Satie, and René Clair. Presented in two parts as the introduction and intermission of a ballet, ENTR’ACTE has the twin ...

  2. Der Erstlingsfilm von René Clair, den er als Auftragsarbeit für die Pause des dadaistischen Balletts "Relache" von Picabia inszenierte, ist eine Folge absurder Bilder und Szenen, entstanden unter Einsatz aller zu jener Zeit bekannten filmtechnischen Tricks. Der mit allen Konventionen brechende Kurzfilm entstand unter Beteiligung von Man Ray, Marcel Duchamp, Erik Satie, Marcel Achard und ...

  3. Entr'acte is a surrealistic concoction of unrelated images, reflecting Clair's interest in Dada, a fashionable radical approach to visual art which relied on experimentation and surreal expressionism. Clair's imagery is both captivating and disturbing, giving life to inanimate objects (most notably the rifle range dummies), whilst attacking ...

  4. 11. Okt. 2016 · A classic of avant-garde cinema, 'Entr'acte' was made as an intermission for the Ballets Suédois production of Relâche, a Dada theater work that premiered in Paris in December of 1924. The ballet's director, Francis Picabia, gave René Clair a short scenario around which to build the film, and Erik Satie composed an original score to accompany it. But the finished work is "pure" cinema ...

    • 20 Min.
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  5. ENTR'ACTE - Film (Movie) Plot and Review. France, 1924. Director: René Clair. Production: Black and white, 35mm, silent; running time: 22 minutes. Released 1924, at the Theatre des Champs Elysées between acts of the ballet "Relâche" by Francis Picabia as performed by the Ballets Suédois, Paris. Re-released 1968 with musical soundtrack ...

  6. Entr'acte ist ein Film aus dem Jahr 1924 von René Clair mit Jean Börlin und Inge Frïss.