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  1. Here's that Manne (Dee Gee, 1952) Shelly Manne Vol. 2 (Contemporary, 1954) The West Coast Sound (Contemporary, 1955) – rec. 1953–1955. Re-release of the first Shelly Manne & His Men 10-inch LP with additional material. Swinging Sounds (Contemporary, 1956) More Swinging Sounds (Contemporary, 1956) Shelly Manne & His Friends (Contemporary, 1956)

  2. music.youtube.com › channel › UC_UsjRxH5RVe7z6BGRHFXywShelly Manne - YouTube Music

    Sheldon "Shelly" Manne was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz, and later fusion. He also contributed to the musical background of hundreds of Hollywood films and television programs.

  3. 13. Jan. 2023 · about. Released as part of the Acoustic Sounds Series celebrating 70 years of Contemporary Records, Shelly Manne & Friends' My Fair Lady is the first album to ever consist of jazz versions of songs from just a single Broadway musical. First released in 1956 and recorded by legendary engineer Roy DuNann, this new edition features remastered ...

  4. 21. Okt. 2012 · Shelly Manne Quartet:Shelly Manne (drums), Ray Brown (bass), Hampton Hawes (piano) and Bob Cooper (saxophone) perform 'Blues in the Basement', 'Stella by Sta...

    • 30 Min.
    • 113,9K
    • João Paulo Rosado
  5. Shelly Manne made a countless number of records from the 1940s into the '80s but is best-known as a good-humored bandleader who never hogged the spotlight. Originally a saxophonist, Manne switched to drums when he was 18 and started working almost immediately. He was with Joe Marsala's band (making his recording debut in 1941), played briefly in the big bands of Will Bradley, Raymond Scott ...

  6. 7. Juni 2010 · One the greatest drummers in jazz history, Shelly Manne, was born in New York City on June 11, 1920. Coming from a family of drummers, Manne began working New York's 52nd Street jazz scene in his ...

  7. 11. Juni 2020 · Sein Sound am Schlagzeug steht für den luftig-leichten Gegenentwurf zum New Yorker Bebop: Shelly Manne gilt als zentrale Figur des Westküstenjazz der 1950er- bis 70er-Jahre. Grund genug, seinen 100.