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Roman Ingarden (1893 -- 1970) was a Polish phenomenologist, ontologist and aesthetician. A student of Edmund Husserl's from the Göttingen period, Ingarden was a realist phenomenologist who spent much of his career working against what he took to be Husserl's turn to transcendental idealism. As preparatory work for narrowing down possible solutions to the realism/idealism problem, Ingarden ...
Roman Ingarden, Schüler Edmund Husserls Roman Ingarden wurde 1893 in Krakau geboren, als dieser Teil Polens noch von Österreich regiert wurde, und starb 1970 in Krakau. 1912 zog er nach Göt‐ tingen, wo er bei Edmund Husserl zu studieren begann, unter dem er 1918,
Ingarden produces an ontology of the vari-ous kinds of things in order to be able to answer the question whether, as Husserl assumes, the world is mind-dependent like fictional objects, or whether only some things in the world are mind-dependent, as Ingarden believes. This is the plot of the Streit.
Other articles where Roman Ingarden is discussed: aesthetics: The ontology of art: Still others, notably the phenomenologist Roman Ingarden, argue that the work of art exists on several levels, being identical not with physical appearance but with totality of interpretations that secure the various formal and semantic levels that are contained in it.
Roman Ingarden (* 5. február 1893, Krakov – † 14. jún 1970) bol poľsk ý fenomenologicky orientovaný filozof, estetik a literárny teoretik, žiak nemeckého filozofa Edmunda Husserla. Život. Ingarden študoval matematiku a filozofiu v Ľvove u K ...
Roman Ingarden and His Time. WHEN ROMAN INGARDEN died suddenly. on June 14, 1970, the body of his writings on philosophy of art was certainly more ex- tensive than that of any other Polish thinker of his time. It also encompassed al- most half of his output of writings on phi- losophy. The other half consisted of his fa- mous treatise ...
Roman Ingarden (1893-1970), one of Husserl’s closest students and friends, ranks among the most eminent of the first generation of phenomenologists. His magisterial Controversy over the Existence of the World, written during the years of World War II in occupied Poland, consists of a fundamental defense of realism in phenomenology.
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