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  1. 20. Okt. 2021 · Virginia Cherrill was an American actress best known for her role as the blind flower girl in Charlie Chaplin's “City Lights”.

    • 5 Min.
    • 1454
    • Movie Legends
  2. City Lights: Directed by Charles Chaplin. With Virginia Cherrill, Florence Lee, Harry Myers, Al Ernest Garcia. With the aid of a wealthy erratic tippler, a dewy-eyed tramp who has fallen in love with a sightless flower girl accumulates money to be able to help her medically.

  3. Virginia Cherrill ( 12. huhtikuuta 1908 Carthage, Illinois, Yhdysvallat – 14. marraskuuta 1996 Santa Barbara, Kalifornia, Yhdysvallat) oli yhdysvaltalainen elokuvanäyttelijä, joka tunnetaan roolistaan sokeana tyttönä Charles Chaplinin elokuvassa Kaupungin valot (1931). Cherrill syntyi vanhempiensa, James E. Cherrillin ja tämän vaimon ...

  4. Charlie Chaplin and Virginia Cherrill in City Lights (1931) City Lights proved to be the hardest and longest undertaking of Chaplin’s career. By the time it was completed he had spent two years and eight months on the work, with almost 190 days of actual shooting. The marvel is that the finished film betrays nothing of this effort and anxiety.

  5. Doch die City-Lights-Hauptdarstellerin Virginia Cherrill und er konnten einander nicht ausstehen. Er meinte, sie habe sich bei ihrer ersten Filmrolle nicht professionell genug verhalten; sie meinte, seine zahllosen Drehwiederholungen von Szenen – einzelne Szenen über 100 Mal – seien überzogen gewesen. Als sie schließlich einmal vor Drehschluss das Set verlassen wollte, feuerte Chaplin ...

  6. City Lights, the most cherished film by Charlie Chaplin, is also his ultimate Little Tramp chronicle. The writer-director-star achieved new levels of grace, in both physical comedy and dramatic poignancy, with this silent tale of a lovable vagrant falling for a young blind woman who sells flowers on the street (a magical Virginia Cherrill) and mistakes him for a millionaire.

  7. Charlie Chaplin and Virginia Cherrill in City Lights (1931) City Lights proved to be the hardest and longest undertaking of Chaplin’s career. By the time it was completed he had spent two years and eight months on the work, with almost 190 days of actual shooting. The marvel is that the finished film betrays nothing of this effort and anxiety.

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