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  1. 11. Juni 2017 · But your father is a warrior, ‎Battle-hardened, too: Sleep, my son, and don’t you worry, ‎Bayushki-bayu (x2) Soon enough there’ll be a time to ‎Learn the soldier’s way; Bravely step into the stirrup, Shoot while in the fray (x2) You’ll look like a hero and be ‎Cossack through and through. I’ll go out to see you off— ‎And ...

  2. Resources. Below is working list of current, in-print CDs (and a few LPs) featuring international folkoric and vernacular music from commercial 78rpm records. It is very much a work-in-progress. If you know of an in-print CD that needs to be added, or an out-of-print CD that needs to be removed, contact me at excavatedshellac [at] yahoo [dot ...

  3. 27. Dez. 2020 · Nikolay, or “Nicholas” as he was often credited, was born in 1881 in Kharkiv, Ukraine. He immigrated to the United States in 1922, getting onboard in Constantinople on the ocean liner Braga, which ran a route from Beirut to New York. With him was his wife, Lucy Dontzoff, who was twenty years his junior. They lived mostly in what is now West ...

  4. Two were by an artist named Godudo Mohamed, another two by Maria Abdalla, but the remaining seven were by oud player and vocalist Ahmed Awad (or “Aoud”). Below is a buoyant track recorded late November 1957 by Awad from these sessions, titled “Dahier” or “Dahyèr.”. Ahmed Awad – Dahier.

  5. I think you know what I’m getting at – Excavated Shellac is meant as an alternative to the disproportionate amount of worldwide scholarship, reverence, and proselytism surrounding early recordings of jazz, blues, country, Western classical and popular music. Not because that music isn’t amazing – it often is.

  6. 20. Okt. 2008 · Today’s piece, the Chakrulo, is a table song, and is from the Kakheti region, featuring two soloists (N. Togonidze and I. Mchediishvili) and the aforementioned bass, choral drone. The recording was organized by Georgian composer Shalva Mshvelidze, who since 1930 had been traveling around Georgia recording folk music.

  7. 5. Dez. 2019 · In June of 1901, recording engineer Fred Gaisberg was in Russia for the Gramophone Company. This was his third visit to Saint Petersburg. He’d already been to the grand city in 1900, and for a second trip in 1901 that was smack in the middle of a frozen Russian winter, which he was eager to experience. This time, however, it was during Saint ...