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  1. Commons. Elmer Bernstein. Biografický portál. Elmer Bernstein (* 4. apríl 1922, New York, New York, USA – † 18. august 2004, Ojai, Kalifornia) bol americký hudobný skladateľ a dirigent. Preslávil sa najmä ako autor filmovej a scénickej hudby. Počas svojho kariéry zložil hudbu k vyše 200 filmom a televíznym dielam. [1]

  2. Elmer Bernstein, Film Composer An Authorized Biography by Peter M. Bernstein . Elmer Bernstein is a true American story whose life was as fearless and colorful as his many iconic film scores. In this new hardbound release, Peter M. Bernstein gives his behind-the-scenes perspective on this fascinating figure who gave us some of the world’s ...

  3. Elmer Bernstein. American composer and conductor (1922-2004) Language. Label. Description. Also known as. English. Elmer Bernstein. American composer and conductor (1922-2004)

  4. Elmer Bernstein (Nova York, Estats Units, 4 d'abril de 1922 - Ojai, Califòrnia, 18 d'agost de 2004) és un compositor de música per al cinema nord-americà, guanyador de l'Oscar a la millor banda sonora original l'any 1967 per Millie, una noia moderna. La seva carrera va transcórrer durant més de cinc dècades i va compondre "alguns dels temes més reconeixibles i memorables de la ...

  5. Elmer Bernstein (* 4. April 1922 in New York City; † 18. August 2004 in Ojai, Kalifornien) weer en US-amerikaanschen Filmmusik-Komponist. Leven un Wark ...

  6. Early on, Ghostbusters director Ivan Reitman and Elmer Bernstein discussed the idea that the film would feature popular music at specific points to complement Bernstein's original score. This included "Magic" by Mick Smiley, which plays during the scene when the ghosts are released from the Ghostbusters headquarters. Bernstein's main theme for the Ghostbusters was later replaced by Ray Parker ...

  7. The film's score is by Elmer Bernstein, with orchestrations by Leo Shuken and Jack Hayes. Along with the readily recognized main theme and effective support of the story line, the score also contains allusions to twentieth-century symphonic works, such as the reference to Bartok's Concerto for Orchestra , second movement, in the tense quiet scene just before the shootout.