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  1. Israel kam 1987 in Manhattan bei einem Unfall mit einem Lastzug ums Leben. Sie war mit dem Maler und Photographen Marvin Israel verheiratet. Quellen. Margaret Ponce Israel in der Datenbank Find a Grave (englisch) Artnet: Margaret Ponce Israel

  2. en.wikipedia.org › wiki › Marvin_ZonisMarvin Zonis - Wikipedia

    Marvin Zonis (September 18, 1936 – November 15, 2020) was an American political economist who focused on Middle Eastern politics and history and an emeritus professor at the University of Chicago Booth School of Business, where he taught courses on international political economy, leadership, and e-commerce. He was the first professor at the Business School to teach a course on digital ...

  3. Marvin Israel. . . ( m. 1950; died 1984) . Margaret Ponce Israel (also known as Marge Israel) (December 24, 1929 – April 22, 1987) was an American painter and ceramicist who lived and worked in New York City. She was born in 1929 in Havana, Cuba, and brought to the U.S. as an infant. [2] She attended the High School of Music & Art in New York ...

  4. Marvin Heemeyer. Marvin John Heemeyer (October 28, 1951 – June 4, 2004) was an American automobile muffler repair shop owner who demolished numerous buildings with a modified bulldozer in Granby, Colorado in 2004. Heemeyer had various grudges against Granby town officials, neighbors of his muffler shop, the local press, and various other ...

  5. www.marvis.com › en › aboutAbout - Marvis

    HERE’S WHAT WE DO KNOW about MARVIS. Marvis entered the Ludovico Martelli company in 1997, which turned it into the iconic and infinite-flavours toothpaste it is today. For the development of our aromas we cooperate with the most prestigious Fragrance Houses, in which expert perfumers explore the world looking for the finest ingredients for ...

  6. The monograph, composed of 80 photographs, was edited and designed by the painter Marvin Israel, Diane Arbus' friend and colleague, and by her daughter Doon Arbus. Their goal in producing the book was to remain as faithful as possible to the standards by which Arbus judged her own work and to the ways in which she hoped it would be seen. Universally acknowledged as a photobook classic,