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Two years after the 1963 Manifesto, George Maciunas produced another manifesto, significantly different in tone. But in this new statement Henry Flynt’s ideas once again seem evident. Maciunas introduces the topic of “Fluxamusement,” which appears to be an adaptation of Flynt’s “Veramusement,” one of the “successive formulations ...
George Maciunas, Diagram of Historical Development of Fluxus and Other 4 Dimentional, Aural, Optic, Olfactory, Epithelial and Tactile Art Forms, annotated by Alison Knowles. 1973 [V.B.1.201*] Maciunas’s ambitiously detailed art history chart positions Fluxus, often relegated to an art historical footnote, as the culmination of a distinguished artistic lineage.
But in his work for Fluxus George Maciunas not only took an “art attitude” toward every aspect of daily living, but, by inversion, was also willing to transform even seeming trivialities into esthetic fodder. The literature, performances, and objects of Fluxus are rife with examples of such material as treated by a variety of artists; but by force of training as well as by personality ...
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George Maciunas (magyar) Fluxus Performance Workbook (angol) Photo, links to books (angol) Collection of links (angol) Bibliography of Maciunas material (angol) George Maciunas Inerview – KRAB Radio Broadcast, Seattle, 1977 (streaming audio clips) (angol) George Maciunas festményei – TerminArtors.com [halott link
GEORGE MACIUNAS CURRICULUM VITAE GEORGE MACIUNAS Born November 8, 1931 in Kaunas, Lithuania EDUCATION 1949-52: Cooper Union School of Art studied art, graphic art, architecture 1952-54: Carnegie Institute of Technology Pittsburgh, studied architecture and musicology.
George Maciunas Documentary. "George - the Story of George Maciunas and Fluxus, like its Fluxus subject, is playful and prankish" - New York Times "An always colorful look at a short but exuberant career of avant-garde utopianism" - Hollywood Reporter
