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  1. Vor 4 Tagen · We are located at 225 Decatur Street. NOTE OUR BAG POLICY: Only the following bags are allowed: (maximum size: 12"x6"x12") For VIP upgrades, please call/email: 504.310.4982 NOLAVIP@livenation.com. The following bag policy is in place: Bags up to 12"x6"x12" are allowed in the venue. All bags will be searched prior to entry.

  2. Vor 4 Tagen · Joan Jett & The Blackhearts – I Love Rock ’n’ Roll. Orchestral Manoeuvres in the Dark – Maid of Orleans (The Waltz Joan of Arc) (Video) Melanie – Foolin’ yourself. Kim Wilde – View from a bridge. Bill Wyman – A new fashion. Peter Skellern – You’re a lady (Oldie: Musikladen 1973) Dolly Dots – S.T.O.P.

  3. Vor 4 Tagen · Musikjahr 1949 Louis Armstrong, der 1947 seine Big Band auflöste und wieder zu seinen Ursprüngen, dem New Orleans Jazz und den kleinen Formationen zurückkehrte, ist im Oktober/November 1949 mit seiner Band auf Tournee in Europa.

  4. Vor einem Tag · East Los Angeles becomes home to bands like Los Rock Angels and the Alienz, who incorporate "Mexican and other Latino musical concepts in a basic rock and rhythm and blues format". [5] A growing Dominican influence begins to have effects on the salsa music industry, while the most popular artists, like Eddie Santiago , Frankie Ruiz and Luis Enrique , create a soft, ballad-like style called ...

  5. Vor 4 Tagen · See the House of Blues concert calendar and buy tickets. House of Blues is a 1,010 person capacity venue in New Orleans, LA.

  6. en.wikipedia.org › wiki › TechnoTechno - Wikipedia

    Vor 3 Tagen · The club brought new life to the careers of Detroit artists such as Santonio Echols, Eddie Fowlkes and Blake Baxter, who played there alongside established Berlin DJs such as Dr. Motte and Tanith. According to Dan Sicko, "Germany's growing scene in the early 1990s was the beginning of techno's decentralization", and "techno began to create its second logical center in Berlin". At this time ...

  7. Vor 4 Tagen · Unlike rhythm and blues or 1960s soul music, jazz at this time, seemed a music that took itself seriously, and was not merely a diversion, and jazz was, in good measure, passionately anti-commercial. Poet, playwright, and essayist, former Beat Amiri Baraka (LeRoi Jones ) was the leader of this school of writing, a long-time jazz aficionado, who began his jazz writing career providing notes for ...