Suchergebnisse
Suchergebnisse:
Kira is eventually set free and meets up with her former lover. The two decide to escape abroad, convinced neither has a future in the Soviet Union. Their boat, however, is intercepted and sunk. They manage to save themselves, but Leo loses his spirit and needs to spend time in a sanatorium in Crimea to regain his health. To get these treatments, Kira will turn to Andrei and prostitute herself ...
He received the Biennale Award in 1942, for Noi Vivi and Addio Kira! His most remembered and important works are two anti-Communist films (combined to comprise 4 hours), both based on Ayn Rand's We the Living. Without Rand's permission, We the Living was made into a pair of films, Noi vivi and Addio, Kira in 1942, by Scalara Films, Rome. This ...
A film, in my opinion, that is so dense and fascinating for its excessive romanticism and monumental, cloying sweetness like Noi vivi / Addio Kira deserves to be treated on its own. Alessandrini does not denigrate Communism but Stalinist decline; he criticizes the selfishness and cowardice of the nobility, who were already punished by history. It could be viewed as an apologue about ...
Addio Kira! 1942. 1h 36m. Drama/Romance. Advertisement. Cast. Alida Valli (Kira Argounova) Fosco Giachetti (Andrej Taganov) Rossano Brazzi (Leo Kovalenski) Emilio Cigoli (Pavel Sjerov) Giovanni ...
Addio Kira! (1942) on IMDb: Movies, TV, Celebs, and more... Menu. Movies. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. TV Shows. What's on TV & Streaming T ...
ADDIO KIRA! Regie von. Goffredo Alessandrini. Italien, 1942. Drama. 96. Darum geht's. Adaptation of the novel by Ayn Rand, set in the years which followed the Russian Revolution, in two parts- NOI VIVI and ADDIO KIRA. Darum geht's. Adaptation of the novel ...
We the Living is a combined version of two films, Noi Vivi and Addio Kira, (1942). The films were based on the semi-autobiographical novel written by American author Ayn Rand, who had not authorized the filming or was even aware of it. They were the largest grossing films in Italy in 1942, but because aspects of the storyline reflected on ...
