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Listen to Size Isn't Everything by Bee Gees on Apple Music. 1993. 11 Songs. Duration: 51 minutes. Album · 1993 · 11 Songs. Home; Browse; Radio; Search; Open in Music. Size Isn't Everything . Bee Gees. POP · 1993 . Preview. 1 January 1993 11 Songs, 51 ...
Dez. 2021. bezogen auf Size Isn't Everything ( CD, Album, Reissue) 8122-77606-2. The list shows the 12 tracks with "Decadance", however, the back cover of the CD shows only 11 tracks. What is the story with that? Antworten. Hilfreich. Durchsuchen Sie die Trackliste, Mitwirkenden, Statistiken und mehr nach Size Isn't Everything von Bee Gees.
Size Isn't Everything is the Bee Gees' eighteenth studio album. It was released in the United Kingdom on September 13, 1993, and delayed in the United States for November 2. This album marked Bee Gees' return to Polydor Records after their 5-year, 3-album contract with Warner Bros. Records. According to Robin in a publication dated March 1992, the Bee Gees recorded seven new songs in January ...
Size Isn't Everything is the twentieth studio album by the Bee Gees, released in the UK on 13 September 1993, and the US on 2 November of the same year. The brothers abandoned the contemporary dance feel of the previous album High Civilization and went for what they would describe as "A return to our sound before Saturday Night Fever".
1993. Size Isn't Everything ( LP, Album) Polydor. 519 945-1. Brazil. 1993. Add Review. View credits, reviews, tracks and shop for the 1993 Vinyl release of "Size Isn't Everything" on Discogs.
Size Isn't Everything est le vingtième album studio des Bee Gees, sorti en 1993. L'album est considéré par la presse anglaise comme le meilleur du groupe depuis Saturday Night Fever . [réf. nécessaire] Le single For Whom the Bell Tolls se classe à la 4 e place des charts britanniques à l'automne 1993. À Noter, la présence de Steve Howe à la guitare acoustique sur une chanson et Slash ...
Size Isn't Everything is the twentieth studio album by the Bee Gees, released in the UK on 13 September 1993, and the US on 2 November of the same year. The brothers abandoned the contemporary dance feel of the previous album High Civilization and went for what they would describe as "A return to our sound before Saturday Night Fever".
