Yahoo Suche Web Suche

Suchergebnisse

  1. Suchergebnisse:
  1. Related Chart Trivia. Dinah Washington Top Songs in the Charts Top One Hit Wonders of the 1940s Top Pop One Hit Wonders. Evil Gal Blues was the #53 song in 1943 in the Pop charts . The song was performed by Dinah Washington . Comment below with facts and trivia about the song and we may include it in our song facts!

  2. Evil Gal Blues Lyrics: I'm an evil gal / Don't you bother with me, no / I said I'm an evil gal / Don't you mess around with me, mhm / Well, I'll empty your pockets and I'll fill you with misery ...

  3. 2. Nov. 2022 · Back in 2010, the BBC aired Evil Gal Blues, Jill Nichols's wonderful documentary on Dinah Washington. As we wait until TypePad's finishes revamping its functionality so I can resume posting with images, here's the film on the singer known as the “Queen of the Blues." At the end, catch a rare and exceptional video clip of her singing

  4. I'm an evil gal don't you bother with me, no. I said I'm an evil gal don't you mess around with me, Mmhmm. Well I'll empty your pockets and fill you with misery, Yes I will! If you tell me good mornin'. I'm gon' tell you that's a lie. If you say hello baby I'ma give you the evil eye. I'ma evil gal don't you mess around with me, Mmhmm.

  5. Evil Gal Blues by Dinah Washington chords - F, Am, C, D#, G, E, G#m, Cm, A#, A, G#, Gm. Play song with guitar, piano, bass, ukulele. - Yalp

  6. Dinah Washington Lyrics. "Evil Gal Blues". I'm an evil gal, don't you bother with me. Yes, I'm an evil gal, don't you bother with me. I'll empty your pockets and fill you with misery. I've got men to the left, men to the right. Men every day and men every night! I've got so many mem, mmm I don't know what to do.

  7. 19. Aug. 2009 · At the age of 18, Washington joined Lionel Hampton’s band and a year later she also signed with Keynote Records, releasing her first hit “Evil Gal Blues” under the name Dinah Washington. Washington was never to record any of her gospel music, despite her obvious talent for it, believing that the secular world of professional music should be kept apart from the spiritual.