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27. Apr. 2011 · About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...
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Matrix / Runout: BARCLAY WME. Mastering SID Code: IFPI L011. Mould SID Code: IFPI 0517. View credits, reviews, tracks and shop for the 1996 CD release of "Live In Montreux - Tribute To Nesuhi Ertegun" on Discogs.
www .jazz .org. Jazz at Lincoln Center is part of Lincoln Center in New York City. The organization was founded in 1987 and opened at Time Warner Center in October 2004. Wynton Marsalis is the artistic director and the leader of the Jazz at Lincoln Center Orchestra. The center hosts performances by the orchestra and by visiting musicians.
26. Mai 2021 · Ahmet and Nesuhi were now on their own; a situation for which life had not prepared them. Track Three: The Record Man. Twenty-one-year-old Ahmet Ertegun had no marketable skills and no real idea of what he wanted to do in life. He and Nesuhi sold their record collection to have money to live on. Ahmet tried to survive on the $100 per month ...
Live In Montreux - Tribute To Nesuhi Ertegun. CD, Compilation. Montreux Jazz Festival – none. Germany. 1996. Germany — 1996. New Submission. Explore the tracklist, credits, statistics, and more for Live In Montreux - Tribute To Nesuhi Ertegun by Various.
Nesuhi Ertegun (Turkish spelling: Nesuhi Ertegün; November 26, 1917 – July 15, 1989) was a Turkish-American record producer and executive of Atlantic Records and WEA International. Property. Value. dbo: abstract. Nesuhi Ertegun (26. listopadu 1917, Istanbul, Turecko-15. července 1989, New York, USA) byl americký hudební producent ...
"Nesuhi had been in California," Ahmet says. "He owned Jazz Man Records, and also ran the Crescent label, which was dedicated to New Orleans music. He gave the first course on the history of jazz at UCLA, and also was head of A&R at Contemporary Records where he recorded people like Barney Kessel and Shelly Mann. When Nesuhi joined me at Atlantic, he oversaw our entry into the LP business. But ...
