Suchergebnisse
Suchergebnisse:
louis armstrong & duke. ellington. the complete sessions cdp 7938442. 1. duke’s place . 2. i’m just a lucky so and so . cdp 7938442 . 3. cottontail . 4. mood indigo . 5. do nothin’ till you hear from me 6 the beautiful american 7 black and tan fantasy . 8. drop me off at harlem 9 the mooche . 10. in a mellow tone. 11. it don’t mean a ...
21. Nov. 2022 · Louis Armstrong & Duke Ellington - The Complete Sessions, 1961 (1990) EAC | FLAC | Tracks (Cue&Log) ~ 317 Mb | Mp3 (CBR320) ~ 163 Mb | Scans included Swing, Vocal Jazz, Mainstream Jazz | Roulette Jazz/Capitol | # CDP 593844 | 01:08:27 Louis Armstrong and Duke Ellington were (and are) two of the main stems of jazz. Any way you look at it, just about everything that's ever happened in this music ...
The Great Summit | Complete Sessions (2×CD, Album, Remastered, Box Set, Compilation, Deluxe Edition) Roulette Jazz , Roulette Jazz 7243 5 24546 2 4 , 524 5462
24. Juli 2017 · Nonetheless, Ellington’s English-born chronicler Stanley Dance, who was at the session, said “Armstrong was so quick to grasp the whole concept of an interpretation, and on several numbers, he seemed to know the Ellington routines better than Barney [Bigard],” the clarinetist who’d spent fifteen years with Duke before joining Armstrong in 1944. “C Jam Blues,” which was re-born as ...
The Great Reunion ( 2 × LP, Album, Compilation, Stereo, Gatefold) Roulette. SLVLXR. 505. France. 1970. View credits, reviews, tracks and shop for the 1999 CD release of "The Complete Roulette Sessions" on Discogs.
Barney Howell Bigard (Albany Leon Bigard) [1] ( New Orleans, 3 marzo 1906 – Culver City, 27 giugno 1980) è stato un clarinettista, sassofonista e compositore statunitense, interprete di musica jazz . È noto per la sua lunga militanza nelle orchestre di Duke Ellington e di Louis Armstrong e per essere stato uno dei più popolari ...
10. Feb. 2007 · The fare is all Ellington tunes, the band is Armstrong's All-Stars, led by Duke on piano. Louis is long past the pyrotechnics of "West End Blues" and the Bessie Smith session, but still offers up some heart-tugging solos that remind us his genius was as much in the expressions of his heart as it was in his embouchure and astonishing instincts (check out "I Got It Bad and That Ain't Good ...
- (22)
