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  1. 16. März 2023 · Jimmy Noone Jr. The oldest of New Orleans clarinetist Jimmie Noone's three children, Jimmy Jr. was born in Chicago. When he was still a toddler, the family moved to Los Angeles after his father took a job on Orson Welles' radio program. After his father passed in 1944, his mother, Rita, married bandleader Troy Floyd - who moved the family south ...

  2. 22. Okt. 1996 · (Noone and Davis alternate). Pianist/singer Jeannie Cheatham is the lead voice, but there is plenty of solo space, while the rhythm section (bassist Red Callender and drummer John "Ironman" Harris) drives the ensembles. The program is split between older blues and more recent originals in a similar style, all of it swinging. A special highlight is the trio feature on "Midnight Mama." Spirited ...

  3. 6. Jan. 2018 · Jimmie Noone's Apex Club Orchestra. From the album: "Jimmie Noone - Chicago Rhythm - Apex Blues - The Recordings Of Jimmie Noone 1923-1943" (2006).Recorded ...

    • 3 Min.
    • 1730
    • Andria Rogava
  4. Midnight, as I say above, is 12 hours after noon of the current day, but technically it’s also 12 hours before noon of the next day. The problem is that midnight cannot be unambiguously referred to as a.m. or p.m., so we avoid them altogether. The convention, however, (as is the case with digital clocks) is to display midnight as 12:00 a.m.

  5. Biografía. Noone nació en Cut Off, en el estado de Luisiana y comenzó a tocar la guitarra en su ciudad natal. 2 A la edad de 15 años, se decantó por el clarinete y se trasladó a Nueva Orleans donde estudió con Lorenzo Tio. 3 Desde 1912, toca profesionalmente con Freddie Keppard en Storyville así como con Buddie Petit, Kid Ory, Papá ...

  6. Midnight Mama Songtext von Jelly Roll Morton’s Red Hot Peppers mit Lyrics, deutscher Übersetzung, Musik-Videos und Liedtexten kostenlos auf Songtexte.com

  7. 31. Juli 2021 · July 31, 2021. Profiles In Jazz. Jimmie Noone was one of the big three of New Orleans clarinetists to emerge on records in the 1920s, holding his own with Johnny Dodds and Sidney Bechet. Unlike Dodds and Bechet who had cutting sounds, Noone’s tone was softer, his style was relatively smooth, and one can hear his connection to the Benny ...