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  1. www.drummerworld.com › drummers › Shelly_ManneShelly Manne - DRUMMERWORLD

    The most significant change of Manne's career occurred in 1952 when he and his wife left New York and relocated to Southern California. Although Shelly has made mention of his disdain for the use of drugs in the New York jazz scene at that time, the move to California was due primarily to the fact that he and his wife loved the area and were looking for a place to pursue not only their love of ...

  2. Shelly Manne - drums, Coleman Hawkins - tenor sax, Hank Jones - piano, George Duvuvier - bassRecorded February 5, 1962, Impulse AS-20

    • 4 Min.
    • 8,5K
    • johnnystaccata
  3. 23. Apr. 2004 · As always, the small, seemingly inconsequential details of Manne's drumming add up to something special. During the ten-measure "A" section of the 38-bar tune, as the hi-hat pedal on beats 2 and 4 clearly delineates the pulse, his ride cymbal work is barely audible. When the section repeats the cymbal is louder and more clearly defined, giving the music just a little more of a bounce. On the ...

  4. Recorded with a live orchestra and featuring jazz legend Shelly Manne on drums, Small Change is a classic and stands as one of Tom Waits most popular recordings. credits . released March 9, 2018 TOM WAITS: vocals and piano accompanied by these great music ...

  5. Shelly Manne appears courtesy of Flying Dutchman Productions Ltd. Special thanks to Shelly Manne for his drumistickly pasturized conktribution and the 8x10 glossy and neck tie. Thanks to Frank Vicari, Fitz Jenkins, Chip White, John Forsha (The Nocturnal Emmissions, N.Y.C.).

  6. 25. Sept. 2023 · Musiques – Actualité musicale. Jazz. Shelly Manne. La séquence des perles et des inédits ressortis de l’oubli. Cette semaine, la réédition chez Craft, en LP qualité audiophile et en numérique HD, de « My Fair Lady » enregistré en 1956 pour Contemporary par Shelly Manne, en trio avec André Prévin et Leroy Vinnegar.

  7. 2-3-4 was not a typical album for Manne. Then associated primarily with West Coast jazz, he flew from Los Angeles to New York City on February 5, 1962, by arrangement with producer Bob Thiele, to be reunited with pioneering tenor saxophonist Coleman Hawkins and pianist Hank Jones, with both of whom he had recorded at different times in the 1940s. In an unusual session lasting through the wee ...