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Olympian Henri Decoin made appearances at the 1908 and 1912 editions of the Summer Games as a swimmer, but earned a name for himself later in life as a film director and screenwriter in France. Competing out of Sporting Club Universitaire de France (SCUF) he was a national record holder in freestyle swimming (and won the 500m event at the national level in 1911), but did not finish the first ...
Anak. 2, termasuk Didier Decoin. Henri Decoin (18 Maret 1890 – 4 Juli 1969) adalah seorang sutradara dan penulis naskah asal Prancis, yang menyutradarai lebih dari 50 film antara 1933 dan 1964. [1] Ia juga merupakan perenang yang memenangkan gelar nasional pada 1911 dan mencetak rekor nasional dalam gaya bebas 500 m.
Film Synopsis. A fter a bank robbery, the gangster Saget is on the run from the police. A passing motorist, Ludovic Mercier, offers him a lift which he accepts gratefully. Mercier is on the way back to his home town, Chatenay-la-Rivière, having spent the last 25 years in America, where he amassed a fortune. Half-drunk, Mercier manages to crash ...
Biografía. Olympian Henri Decoin made appearances at the 1908 and 1912 editions of the Summer Games as a swimmer, but earned a name for himself later in life as a film director and screenwriter in France. Competing out of Sporting Club Universitaire de France (SCUF) he was a national record holder in freestyle swimming (and won the 500m event ...
Didier Decoin ist der Sohn des Filmemachers Henri Decoin. Er begann seine Karriere als Journalist bei den Zeitungen France Soir, Le Figaro und VOD, und bei Radio Europe 1. Zur gleichen Zeit begann er zu schreiben. 1977 wurde er für den Roman John l’enfer mit dem Prix Goncourt ausgezeichnet. Während er weiterhin eigene Werke schrieb, hatte ...
Biographie. Né en 1890 à Paris, Henri Decoin, issu d'un milieu modeste, abrège ses études pour se diriger vers le sport de haut niveau. Athlète accompli, il est champion de natation et ...
The films that Decoin made during the Occupation and its austere aftermath were not exclusively pessimistic - Je suis avec toi (1943) is among the director's most exuberant comedies - but most have a grimness and sour solemnity that leave no doubt as to the era in which they were made, perhaps none more so than L'Homme de Londres, a film noir of the bitterest kind.
