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  1. I LIKE TO WORK (MOBBING) by Francesca Comencini. synopsis. Anna lives alone with her daughter Morgana and works in the accounts section of a big firm. She likes her work, gets along very well with her colleagues and clients, but the day the company is bought by an international firm, everything suddenly changes.

  2. Francesca Comencini in den News. 23.09.2022 [UPDATE] "Django": Neue Serie mit Matthias Schoenaerts kommt im Februar nach Deutschland; 11.05.2021 "Django": Noomi Rapace, Nicholas Pinnock und Lisa ...

  3. by Francesca Comencini. synopsis. Gina and Marco are two living in Rome suburbs. The two meet in a very special day: their first day at work. They have a future that awaits them and really seems at hand. Gina is about to realize her dream of becoming an actress, while Marco for the first time has found an opportunity that allows him to start ...

  4. 4. Mai 2010 · Lo spazio bianco (Francesca Comencini, 2009) Lo spazio bianco es una de las películas italianas que tiene este año una candidatura en los Premios David di Donatello (como los Goya en España. “ La prima cosa Bella ” de Paolo Virzì es el film que obtiene el mayor número de nominaciones, dieciocho, Mientras que “ L´uomo che verrá ...

  5. 13. Feb. 2024 · AL CINEMA DAL 4 OTTOBREhttp://www.luckyred.it/ungiornospecialehttps://www.facebook.com/lucky.red.distribuzioneUn film di Francesca Comencini con Filippo Scic...

    • 3 Min.
    • 1123
    • Lucky Red
  6. original title: Un giorno speciale. directed by: Francesca Comencini. cast: Filippo Scicchitano, Giulia Valentini, Roberto Infascelli, Antonio Zavatteri, Daniela Del Priore, Rocco Miglionicco. screenplay: Francesca Comencini, Giulia Calenda, from the novel "Il cielo con un dito" by Claudio Bigagli. cinematography:

  7. 15. Okt. 2017 · In Francesca Comencini’s case this survey is also a political battle, aimed at making Italian family laws consonant with the real condition of the family institution, and with the new forms the family is taking. Comencini’s female characters, then, depict the crisis of traditional families and the consequent proliferation of alternative models.