Suchergebnisse
Suchergebnisse:
12. Sept. 2020 · Hopper racconta il suo progetto, la sua frustrazione nel doversi privare di alcune sequenze, immagini, pezzi di film. Welles risponde che per lui vale l’esatto opposto: non vede l’ora di tagliare i suoi film, perché disprezza le immagini che produce. Romanticismo del cinema (Hopper) / Decadentismo del cinema (Welles).-----
4. Mai 2021 · CPH:DOX 2021: HOPPER/WELLES: A Clash Of Film Titans. May 4, 2021. Matthew Anderson. Chewing the fat, a chicken dinner and putting filmmaking, contemporary politics, and personal backgrounds to rights, Hopper/Welles sees two of movie history’s true greats go toe-to-toe for two hours of meandering, boozy debate. In 1970, still high on the wave ...
HOPPER/WELLES is an intimate and revelatory 1970 conversation between two film giants, Dennis Hopper, then riding high on the massive success of Easy Rider, and Orson Welles, ever the iconoclast and an offscreen interviewer of probing authority. The originally 5 hours long footage was edited by the Academy Award winner Bob Murawski ( The Hurt ...
17. Apr. 2021 · Courtesy of Sonia Szóstak. Polish-born filmmaker Filip Jan Rymsza, the producer of Venice Film Festival entry “ Hopper/Welles ,” which he is presenting this week at Egypt’s El Gouna Film ...
Mostra del Cinema di Venezia, Hopper/Welles è una conversazione intima e rivelatrice del 1970 tra due giganti del cinema, Dennis Hopper, all’epoca sulla cresta dell’onda grazie al grandissimo successo di Easy Rider, e Orson Welles, da sempre un iconoclasta e un intervistatore dall’autorità inquisitoria. Entrambi erano emersi dalla notorietà per cambiare il volto del cinema. Appare del ...
Ce documentaire prend la forme d'une conversation entre deux personnalités importantes du cinéma américain. D'un côté Orson Welles, notamment connu pour son film Citizen Kane, et Dennis Hopper, alors en pleine notoriété après le succès de son film Easy Rider en 1969 qui confirmait le mouvement du Nouvel Hollywood.
An intimate and revelatory 1970 conversation between two film giants, Dennis Hopper, then riding high on the massive success of Easy Rider, and Orson Welles, ever the iconoclast and an offscreen interviewer of probing authority.
