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  1. 22. Sept. 2003 · The Murderers Are Among Us. (Die Mörder sind unter uns) Screening on Film. Directed by Wolfgang Staudte. With Hildegarde Knef, Ernst Wilhelm Borchert, Arno Paulsen. East Germany, 1946, 35mm, black & white, 87 min. German with English subtitles. The first feature film to issue from a shell-shocked nation after the war, The Murderers Are Among ...

  2. On Christmas Eve 1945, Mertens tries to kill him, but the murder is prevented in time by Susanne Wallner. She is able to convince him to turn Brückner in so that he can be brought to justice. The film is set in 1945 in bombed-out Berlin. The former military surgeon Dr. Hans Mertens returns to Berlin after the war and finds his house in ruins.

  3. A biographical portrayal of Simon Wiesenthal, famous Nazi Hunter. From his imprisonment in a Nazi Concentration Camp, the film follows his liberation and his rise to become one of the leading Nazi hunters in the world, bringing such criminals to justice as Adolf Eichmann and Klaus Barbee. (Written by Anthony Hughes) Brian Gibson. Director.

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  5. Shown at Houston International Film Festival April 30, 1989. Shown at Santa Barbara International Film Festival March 11, 1989. Shown at the United States Film Festival Park City, Utah January 21 & 22, 1989. Previous title: "The Simon Wiesenthal Story: Murderers Among Us." Completed shooting July 1988. Began shooting May 2, 1988.

  6. www.wiesenthal.com › about › about-simon-wiesenthalAbout Simon Wiesenthal

    In 1989, a film based on Mr. Wiesenthal’s life entitled, Murderers Among Us: The Simon Wiesenthal Story was produced by Home Box Office and starred Academy Award-winning actor Ben Kingsley as Simon Wiesenthal. Simon Wiesenthal was born on December 31, 1908 in Buczacz, in what is now the Lvov Oblast section of the Ukraine. When Wiesenthal's ...

  7. 29. Sept. 2020 · Die Mörder sind unter uns (1946) (translated to English as The Murderers Are Among Us) was released a year after Germany surrendered to the Allied Powers in 1945. Yet its striking visuals and thematic resonance maintain a sense of timelessness. Strong performances from Hildegard Knef and Ernst Wilhelm Borchert, coupled with Wolfgang Staudte's surehanded direction, and Friedel Behn-Grund and ...