Suchergebnisse
Suchergebnisse:
The Blue Dahlia was dramatized as a half-hour radio play on the April 21, 1949 broadcast of The Screen Guild Theater, starring Lake and Ladd in their original film roles. The movie was also adapted into a stage play in 1989. Houseman's narrative of the film's creation was dramatized for BBC Radio by Ray Connolly in 2009. References. Notes
Mar 25, 2021. Every morning at 9 a.m., the garrisons from two towns on opposite sides of a river gather on the banks and start shooting at each other. Nobody remembers what they’re fighting for ...
The Blue Danube is a 1932 British romance film directed by Herbert Wilcox and starring Brigitte Helm, Joseph Schildkraut and Desmond Jeans. Its plot, based on a short story by Doris Zinkeisen, concerns a Hungarian gypsy who leaves his girlfriend for a countess, but soon begins to suffer heartache. The Blue Danube was made in both English and German-language versions.
In a Hungarian gypsy encampment, carefree Sandor lives with his beautiful sweetheart Yutka. Into their lives rides a blonde countess, with whom Sandor becomes infatuated. Yutka soon flees from her faithless lover. Sandor roams the country, searching for his lost love, but finds her too late. she now wears furs and has her own aristocratic love. Sandor returns heartbroken to his Romany encampment.
Original title: The Blue Danube: Film type: Långfilm: Category: Spelfilm: Director: Herbert Wilcox; Production country: United Kingdom; Swedish release: 1932-10-01
The Blue Danube Film Festival aims to inspire and motivate talented filmmakers, who are looking to engender new forms and who explore the condition of our society through critical lens. Films are evaluated by our professional jury within the context of their entry category with regards to generally accepted filmmaking quality criteria (ie.: subjective vision, production quality, aesthetic ...
The Blue Danube (French: Le Danube bleu) is a 1940 French drama film directed by Emil E. Reinert and Alfred Rode and starring Madeleine Sologne, José Noguéro and Marguerite Moreno. [1] The film's sets were designed by the art director Émile Duquesne. Rode had produced a previous version of the film featuring Conchita Montenegro and Thomy ...
