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  1. Paul Samwell-Smith Biography The Yardbirds were an English rock band, noted for starting the careers of three of rock's most famous guitarists: Eric Clapton, Jeff Beck, and Jimmy Page.

  2. 7. Juni 2023 · Paul Samwell-Smith’s notes for Wild World show only 10 of the available 16 tracks were used during the initial recording and later overdubbing sessions. The overdubs included the piano played by Stevens, the occasional double-tracked lead vocal, John Ryan’s acoustic bassline, bongos and two tracks of Harvey Burns’ drums. The drum arrangement was a further example of Stevens’ genius.

  3. Paul Samwell-Smith (geboren am 8. Mai 1943 in Richmond, Surrey) ist Gründungsmitglied und Bassist der englischen Band The Yardbirds aus den 1960er Jahren .. Biografie. Mit den Yardbirds arbeitete er mit den Produzenten Mickie Most, Simon Napier-Bell und Giorgio Gomelsky zusammen und produzierte und nahm die meisten ihrer Songs mit.

  4. Paul Granville Samwell-Smith (born Paul G. Smith, 8 May 1943, in Brentford, West London, England) is an English musician and record producer. He was a founding member and the bassist of the 1960s English rock band the Yardbirds , which launched leading guitarists Eric Clapton , Jeff Beck and Jimmy Page to fame.

  5. www.guitarworld.com › features › jimmy-page-yardbirds-led-zeppelinGet The Pick Newsletter - Guitar World

    31. Juli 2023 · (from left to right) Paul Samwell-Smith, Keith Relf, Jim McCarty and Jeff Beck of The Yardbirds perform on the television show Ready Steady Go! in London on May 27, 1966 (Image credit: Ivan Keeman/Redferns) A lack of competent management was another challenge the Yardbirds faced. Their string of hit singles came at the price of punishing ...

  6. Paul Samwell-Smith. Music Department: Harold and Maude. Paul Samwell-Smith was born on 8 May 1943 in Twickenham, London, England, UK. He is a composer, known for Harold and Maude (1971), Apollo 18 (2011) and The House Bunny (2008).

  7. 1. Sept. 2023 · “We found Paul Samwell-Smith, who we knew from The Yardbirds, and he came in towards the end and took a lot of pressure off me,” Anderson told Prog magazine. “We worked well together, we had this good accord and bounced off each other very well.” Now in the can, The Broadsword And The Beast was ready to be unleashed.