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  1. 11. Apr. 2020 · Abstract. Este artigo visa abordar a intervenção de Fredric Jameson no debate sobre a pós-modernidade. O objetivo principal é situar e posicionar a interpretação apresentada pelo autor nos ...

  2. 弗雷德里克·詹姆逊(Fredric Jameson,1934年4月14日—),美国文学理论家、文化批评家。出生于美国的克里夫兰,在耶鲁大学获得硕博士学位,博士。先后在加州大学、耶鲁大学任教,1985年后任杜克大学(Duke University)讲座教授、文学系主任、批评理论研究所所长。2003年辞去系主任职务,继续担任批评 ...

  3. Der amerikanische Literaturwissenschaftler Fredric Jameson (geb. 1934 in Cleveland, Ohio) ist mit einer marxistischen Theorie der Ästhetik bekannt geworden, die die kulturellen Tendenzen der Gegenwart als Variationen eines Repräsentationsregimes nach Realismus und Modernismus begreift. Zu Jamesons Arbeitsschwerpunkten zählen nicht nur der ...

  4. This interview was conducted with Fredric Jameson on 13 March 2014 in New York City and has been lightly edited for clarity. On the occasion of the thirtieth anniversary of the publication of “Postmodernism; or, The Cultural Logic of Late Capitalism” in the New Left Review, Jameson looks back at the essay and considers the current state of capitalism, theory, art, and culture in relation ...

  5. According to Jameson, postmodernity has transformed the historical past into a series of emptied-out stylizations (what Jameson terms pastiche) that can then be commodified and consumed. (See the next module on pastiche .) The result is the threatened victory of capitalist thinking over all other forms of thought.

  6. 2. Sept. 2020 · Fredric Jameson’s theories of postmodernism have had an extensive impact on scholarly discussions of post-war literature. As Amy Hungerford outlined in 2010, “critics such as Fredric Jameson, Brian McHale, Linda Hutcheon, Jean-François Lyotard, and others have defined the period by the … fractured narratives, ironic play, and aesthetic virtuosity of writers like Pynchon, Gaddis, Acker ...

  7. 23. Aug. 2023 · One of the most politically radical of all cultural and literary theorists in the North-Atlantic world, Fredric Jameson’s work remains mostly terra incognita in North-Atlantic academic political theory. Aside from rare invocations of this or that essay or book, there has not been sustained treatment of Jameson’s relentlessly politicizing vocation of dialectical criticism. It has neither ...