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15. Feb. 2024 · Background on Jackie DeShannon. DeShannon is known as the sultry voice behind two of the ’60s classics “What The World Needs Now Is Love” and her very own “Put A Little Love In Your Heart.”
Jackie firmly established herself with a song of her own, on her own terms, with “Put a Little Love in Your Heart,” bringing her another Best Contemporary Female Vocal Grammy® nomination. She also came up with the bluesy “Bad Water,” which Ray Charles’ Raelettes issued in 1970. As that decade progressed, DeShannon wrote with Van Morrison and John Bettis, among others. On
Jackie DeShannon, real name Sharon Lee Myers, (born August 21, 1941) is an American singer/songwriter with a string of hit song credits from the 1960s onwards. She was one of the first female singer songwriters of the rock 'n' roll period. Sharon Myers adopted the name Jackie DeShannon, believed to be an Irish ancestor. Record company ...
Jackie DeShannon - What The World Needs Now Is Love. 3:13. Jackie DeShannon - Put A Little Love In Your Heart (1969) 2:31. When You Walk In The Room - Jackie DeShannon (1964) 2:25. Bette Davis Eyes - Jackie DeShannon (1974) 3:01. View credits, reviews, tracks and shop for the 1991 CD release of "The Best Of Jackie DeShannon" on Discogs.
FOR MORE. Jackie DeShannon shares stories from her pioneering songwriting career as part of the Museum’s Poets and Prophets interview series, which highlights legendary songwriters. This live interview and performance was recorded on April 6, 2024. During the interview with the Museum’s Michael Gray, DeShannon talks about her country roots ...
Born Sharon Lee Meyers in Hazel, Kentucky on August 21, 1941, Jackie DeShannon was singing country songs on a local radio show by the time she was six years old. By 11, she was hosting her own show on the station, and was already single-minded about a career in music. After the family moved to Illinois, Myers continued to work at singing and ...
DeShannon had originally covered the song for her very first LP, 1963’s Jackie DeShannon, in a style modeled on Dylan’s spare, resentful original. A decade older, DeShannon revisits the song with an air of understated melancholy, the lyrics now sounding less like accusations directed at her partner than explanations for why she has to leave.
