Suchergebnisse
Suchergebnisse:
Edward ELGAR (1857-1934) Edward Elgar - The Collector's Edition The Masterpieces – The Greatest Artists The symphonies, concertos, orchestral, choral, chamber and piano music plus CD30: Elgar conducts Elgar Full contents list at end of review rec. London,. Liverpool, Manchester, 1963-1990. (CD30: 1929-1933) ADD/DDD
29. Mai 2024 · Sir Edward Elgar (born June 2, 1857, Broadheath, Worcestershire, England—died February 23, 1934, Worcester, Worcestershire) was an English composer whose works in the orchestral idiom of late 19th-century Romanticism —characterized by bold tunes, striking colour effects, and mastery of large forms—stimulated a renaissance of English music.
Edward ELGAR (1857-1934) Edward Elgar conducts Edward Elgar Overture Cockaigne (In London Town) — Concert Overture, Op. 40 [13.39] BBC Symphony Orchestra/Elgar rec. 11 April, 1933, EMI Abbey Road Studio No. 1, London Variations on an Original Theme (En ...
17. Nov. 2021 · Sir Edward ElgarCello Concerto in E minor, Op.85I. Adagio - Moderato (0:08)II. Allegro molto (7:08)III. Adagio (11:40)IV. Allegro - Moderato - Allegro, ma no...
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Edward Elgar rođen je u malom engleskom selu Lower Broadheath pokraj Worcestera. Njegov otac, William Henry Elgar (1821. – 1906.), odrastao je u lučkom gradu Doveru, a kao mladić je bio šegrt kod jednoga uglednoga glazbenog nakladnika u Londonu. Godine 1841. preselio se u Worcester, gdje je radio kao ugađač glasovira i uskoro otvorio ...
27. Juli 2006 · Not only was Sir Edward Elgar the first major composer to extensively conduct on recordings of his own music, he was also a very fine, sensitive musician who clearly communicated his thoughts to the orchestra. These are truly "milestone" performances that show Elgar at his best and, fortunately, HMV (His Master's Voice) displayed special care in achieving the best possible sound while using a ...
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Über den Beginn hat sich Elgar besonders amüsiert, weil er hier ist einer seiner geliebten „japes“ („Streiche“) untergebracht hat: der D-Dur-Marsch fängt im entfernten Es-Dur an. Der zweite Marsch in a-Moll wirkt deutlich anders. Weniger Glanz, der schlagartige Einstieg nachgerade ernst, dann nervöse Streicherfiguren.
