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Neil Welliver 1929 Born in Millville, PA 1953 B.F.A., Philadelphia Museum, College of Art, Philadelphia, PA 1953-57 Teaches at Cooper Union, New York, NY 1955 M.F.A., Yale School of Art, Yale University, New Haven, CT 1955-65 Teaches at Yale University, N ...
3. März 2019 · Neil Welliver, Polly's Place, 1982, oil on canvas The show is supported by a group of masterfully made woodcuts that unfortunately act like ghostly reminders of better paintings. One lone working contour drawing for an adjacent woodcut, Study for New Dams in Meadow (1984), is a prime example of Welliver’s approach to drawing the landscape.
NEIL WELLIVER The paintings, of course, are flat. But they seem to have depth, are indeed designed to invite you into them. As Welliver has admitted (or defiantly asserted), speaking particularly about the scale of some of his work, he is “trying to seduce a person into really feeling that he can walk into your canvas.”
Cold Claudia Neil Welliver • 1968-1969 Maine Woodland.png Neil Welliver • 1969-1970 Study for Midday Barren Neil Welliver • 1972
Neil Welliver (American, 1929-2005) is best known for his large-scale, vivid paintings and woodcuts of the remote Maine wilderness. Born in the small town of Millville, Pennsylvania, he first studied at the Philadelphia Museum College of Art, followed by Yale, where Josef Albers and Burgoyne Diller
Neil Welliver (1929 - 2005) Chrysalis | 1954-1964 May 6, 2022 - June 25, 2022 Neil Welliver was born in 1929 and raised in rural Millville, Pennsylvania between two world wars and among forested hillsides and nearby streams. He received his initial art training at the Philadelphia Museum School of Art, with access to the museum’s encyclopedic collection of European and American art. There ...
The selection of works in the Neil Welliver show currently on view at Alexandre Gallery’s Lower East Side location offers a cross-section of the artist’s output in painting and printmaking between 1974 and his death in 2005. Four large landscape paintings (each about eight feet square) anchor the show, with four smaller paintings and seven prints rounding it out.
