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  1. The British Museum is falling down by Lodge, David, 1935-Publication date 2010 Topics Lecturers -- Family relationships -- Fiction, Catholics -- Great Britain -- Psychology -- Fiction, Birth control -- Great Britain -- Fiction, Birth control, Catholics - ...

  2. British Museum is Falling Down, The — David Lodge. First Published 1965. Vintage, paperback, 2011, pp 176, c.55,000 words. What a quaint book this is. It has very old-fashioned feel and was almost out of date when it was written. A thick fog permeates London during the action, which is something that had faded out since the clean air act was ...

  3. 7. Apr. 2011 · Presents the story of hapless, scooter-riding young research student Adam Appleby, who is trying to write his thesis but is constantly distracted - not ...

  4. The relationship between the two novels [ The British Museum is Falling Down and How far can you go?], and the differences between them, can hardly be understood without bearing this […] fact in mind.” 16. Further explanation of the religious context will follow in the next chapters. 3 Aspects of the novel “The British Museum is Falling ...

  5. David Lodge's "The British Museum is Falling Down" was published in 1965 and is a brilliant comic satire of academia, religion and human entanglements. It tells the story of hapless, scooter-riding young research student Adam Appleby, who is trying to write his thesis but is constantly distracted - not least by the fact that, as Catholics in the 1960s, he and his wife must rely on 'Vatican ...

  6. 1. Jan. 1983 · The British Museum Is Falling Down. Paperback – January 1, 1983. The Rhythm Method is the curse of young Adam Appleby's life and the cause of his children's. While Adam gestates his thesis in the British Museum, his wife worries at home because her period is late and a fourth little bundle of (expensive) joy seems to be on the way, thanks to ...

    • David Lodge
  7. David Lodge’s The British Museum is Falling Down and Peter Ackroyd’s Dan Leno and the Limehouse Golem represent a famous British institution as more than a setting, inviting redefinitions of the museum as an institutional cultural site, as a heterotopia of time acquiring sometimes unexpected cultural and ideological uses. The paper examines the ways in which the fictional rendition of the ...

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