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  1. Arranged By – Frank Foster ( tracks: A1 to A5, B3 to B5) Bass – Cleveland Eaton. Drums – Duffy Jackson. Guitar – Charlton Johnson. Mastered By – Greg Calbi. Mixed By – Al Schmitt, Ed Rak. Piano – Carl Carter (3) Producer, Vocals, Guitar – George Benson. Recorded By – Al Schmitt, Elliot Scheiner, Peter Darmi.

  2. Informations générales. William Basie, dit Count Basie, né le 21 août 1904 à Red Bank et mort le 26 avril 1984 à Hollywood, est un pianiste, organiste et chef d'orchestre de jazz. Son orchestre s'inscrit dans la tradition de Kansas City, ville-berceau du middle jazz orchestral. Il était surnommé la machine à swing .

  3. Organ – Count Basie; Piano – Count Basie; Producer – Teddy Reig; Reeds – Bobby Plater, Charlie Fowlkes, Lockjaw Davis*, Eric Dixon, Marshall Royal; Trombone – Bill Hughes (2), Grover Mitchell, Harlan Floyd, Richard Boone; Trumpet – Al Aarons, Gene Goe, Harry Edison, Sonny Cohn

  4. Basie's Bag. CD, Album. Telarc Jazz – CD-83358, Telarc 20 – CD-83358. Europe. Europe. New Submission. Explore the tracklist, credits, statistics, and more for Basie's Bag by The Count Basie Orchestra Under The Direction Of Frank Foster. Compare versions and buy on Discogs.

  5. 27. Apr. 2019 · This is Basie's second great band, the so-called Second Testament band that he assembled in the early 1950s and which rose to it's peak during the Roulette years. It would be hard to beat the lineup of the earlier First Testament band of Lester Young, Walter Page, Buck Clayton, Jimmy Rushing, and others but he equals that lineup with lesser known members such as Thad Jones, Frank Foster ...

  6. Written-By – Jimmy Van Heusen And Johnny Burke. Arranged By – Frank Foster. Written-By – Jimmy Van Heusen And Johnny Burke. 5:22. Count Basie Remembrance Suite. Arranged By – Frank Foster. Composed By – Frank Foster. Arranged By – Frank Foster.

  7. 7. Sept. 2023 · Many of the pieces open with Basie setting the tempo. Al Aarons on trumpet and Frank Wess on flute play after Basie’s intro on ‘Why Not’, a good brisk piece to open the concert. ‘April In Paris’ originally recorded in 1955 with the repeated ending is one of those pieces that Basie was condemned to play nightly because of its popularity.